A virtual press conference from Sound & Video Contractor

Press Releases For : September 25, 2014

Christie is the New Face of Security and Surveillance for the Control Room at ASIS 2014

Christie®, a world leader in creating and sharing the world’s best visual and audio experiences, brings a generation of leadership experience to designing and implementing high-performance mission critical control room solutions to ASIS 2014 in Atlanta, Georgia, September 29 – October 2. From high resolution flat panel displays, to video processors and the Christie Phoenix™ open content management platform, Christie will showcase versatile and cost-effective solutions for the ultimate in mission-critical communications, performance, and reliability.

Christie Entero™ HB Front Access Cube, Front Screen Extended

Christie Entero™ HB Front Access Cube, Front Screen Extended

Among the products on display will be a 2×2 ultra-narrow bezel Christie FHD552X HD LCD-based flat panel video wall featuring ultra-sharp HD resolution, high pixel density, and superior image sharpness and brightness. Significantly thinner than conventional panels, Christie flat panels automatically map in any array configuration, either in portrait or landscape mode. They are quick and easy to set up and use less than one watt of power in standby mode for low-cost operation. Also on display will be a 2×2 set-up of the 70-inch Christie Entero™ HB front access display cube the first and only LED display cube to offer wireless control through Wi-Fi® capability. Christie’s video wall displays will be fed by the Christie Phoenix™ open content management platform.

“Christie brings more than 80 years of leadership in visual displays and generations of experience in designing and implementing 24/7 mission-critical operations for some of the world’s largest organizations,” noted Dave Muscat, senior director, Americas Region, Visualization, Simulation and Control Room Solutions, at Christie. “Whether for government, law enforcement, power, utility or telecommunications, Christie offers customized, end-to-end control room solutions specifically tailored to the customer’s needs and budget.”

Collaborative visual solutions for mission-critical monitoring
Today’s control rooms go beyond traditional displaying and monitoring and Christie’s collaborative visual solutions are removing boundaries and enabling expansive collaboration for many of the world’s most mission-critical operations. By integrating stunning zero-maintenance displays with the power of the network, Christie is completely redefining the control room space, and setting the stage for an increasingly distributed control room environment. Across every sector in business, commerce and government, Christie is raising the bar beyond today’s stringent control room requirements.

Christie Visual Display Solutions in a Class of Their Own at Educause

The Christie® difference will be experienced at EDUCAUSE 2014, where the global leader in audio and visual display technologies is showcasing its trailblazing visual display solutions for the education market. The offerings include the Christie GS Series laser phosphor projector, members of the Christie Brio family, 84-inch and 65-inch touch panels, and an array of the award winning Christie® MicroTiles®.

Christie's 84-Inch QuadHD84 Display

Christie’s 84-Inch QuadHD84 Display


Christie GS Series Laser Phosphor Projector
Visitors to the Christie booth can view the new laser phosphor Christie GS Series. Laser phosphor illumination eliminates the need for lamp and filter replacements, and provides an astonishing 20,000 hours of low-cost operation. Wireless connectivity, a small footprint, low-weight, quiet operation and a full suite of lenses makes the GS Series ideal for campus boardrooms, auditoriums and classrooms.

Christie Brio Family of Collaboration Tools
Christie Brio solutions connect classmates, research teams, lab groups and online course participants to share, discuss, learn and do more with digital content. It is available in three different versions: Brio Team, Brio Team+, and Brio Enterprise. Brio Team features integrated Wi-Fi, AirPlay and WiDi receivers while Brio Team+ adds HD video sources to your local session content and offers the advantage of displaying original video content at native resolutions through wired video inputs. Brio Enterprise is ideal for secured collaboration and sharing high-quality content between multiple campuses.

Christie® FHD651-T 65-inch LCD panel
The elegant Christie® FHD651-T 65-inch LCD touch panel is ideal for multi-touch meeting room displays, classroom electronic whiteboards or interactive digital signage. This LED edge-lit professional LCD display provides superior touchscreen performance and seamlessly combines with the Christie Brio presentation and collaboration tool.

Christie® QuadHD84 at 60 Hz, 84-inch LCD panel featuring Quad HD resolution (3840 x 2160)
With unmatched resolution and performance capabilities, the Christie QuadHD84 offers a stunning high-definition display solution. It is perfect for analyzing detailed data sets, visualizing complex environments, delivering powerful presentations, and collaborating in decision-making situations. The Christie QuadHD84 can be used in a variety of academic settings including classrooms, auditoriums, lecture halls and large meeting rooms.

Christie MicroTiles – Ideal for Campus Lobbies, Auditoriums and Collaborative Spaces
Also on display at EDUCAUSE is a 1-unit wide by 5-unit high Christie® MicroTiles® tower. With their much wider color palette compared to conventional LCD displays, Christie MicroTiles deliver clean, saturated, precise colors on a nearly seamless digital canvas. Their unique modular design allows them to be configured into any shape or size, creating the perfect blend of architecture and technology. Several higher education facilities including Michigan State University and North Carolina State University are enjoying the advantages of using Christie MicroTiles video walls.

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Christie is the New Face of Security and Surveillance for the Control Room at ASIS 2014

Christie®, a world leader in creating and sharing the world’s best visual and audio experiences, brings a generation of leadership experience to designing and implementing high-performance mission critical control room solutions to ASIS 2014 in Atlanta, Georgia, September 29 – October 2. From high resolution flat panel displays, to video processors and the Christie Phoenix™ open content management platform, Christie will showcase versatile and cost-effective solutions for the ultimate in mission-critical communications, performance, and reliability.

Christie Entero™ HB Front Access Cube, Front Screen Extended

Christie Entero™ HB Front Access Cube, Front Screen Extended


Among the products on display will be a 2×2 ultra-narrow bezel Christie FHD552X HD LCD-based flat panel video wall featuring ultra-sharp HD resolution, high pixel density, and superior image sharpness and brightness. Significantly thinner than conventional panels, Christie flat panels automatically map in any array configuration, either in portrait or landscape mode. They are quick and easy to set up and use less than one watt of power in standby mode for low-cost operation. Also on display will be a 2×2 set-up of the 70-inch Christie Entero™ HB front access display cube the first and only LED display cube to offer wireless control through Wi-Fi® capability. Christie’s video wall displays will be fed by the Christie Phoenix™ open content management platform.

“Christie brings more than 80 years of leadership in visual displays and generations of experience in designing and implementing 24/7 mission-critical operations for some of the world’s largest organizations,” noted Dave Muscat, senior director, Americas Region, Visualization, Simulation and Control Room Solutions, at Christie. “Whether for government, law enforcement, power, utility or telecommunications, Christie offers customized, end-to-end control room solutions specifically tailored to the customer’s needs and budget.”

Collaborative visual solutions for mission-critical monitoring
Today’s control rooms go beyond traditional displaying and monitoring and Christie’s collaborative visual solutions are removing boundaries and enabling expansive collaboration for many of the world’s most mission-critical operations. By integrating stunning zero-maintenance displays with the power of the network, Christie is completely redefining the control room space, and setting the stage for an increasingly distributed control room environment. Across every sector in business, commerce and government, Christie is raising the bar beyond today’s stringent control room requirements.

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Related Topics: AV Control Systems, Flatscreens, News

James Blunt Chooses HARMAN’s Martin Professional to bring his “Moon Landing” World Tour to Life

MartinPro_JamesBluntAARHUS, Denmark — James Blunt, alongside his Production Designer Paul Normandale and Lighting Director Glen Johnson, are on the road for another tour with HARMAN’s Martin Professional lighting fixtures, including 41 MAC Auras, 32 MAC Viper Profiles, six MAC Viper AirFXs and two AF1 Fans.

Blunt released his newest album in October of 2013 entitled ‘Moon Landing’, which features an emotional and powerful side to the singer-songwriter we have not yet seen. The album is personal and intimate, reflecting back to where Blunt got his start and where he is now.

“We have worked with James Blunt since 2005, this is our fourth world tour with him, and all James’ shows have been dominated by Martin moving lights,” Said Johnson. “This is the largest production we have taken out on the road thus far.”

The theme of the tour is the romanticism and loneliness of the moon landings. For Normandale, this was a fun challenge. “My thoughts and vision with the lighting design were inspired by the lunar landing theme. That is where the idea of landing craft risers and panorama of the lunar planet LED screen came from,” explained Normandale.

“The Viper Profile has great color speed for snap chase,” said Normandale. “The optics and reliability of the fixture over this past year has been staggering. I don’t think we have swapped even one Martin fixture yet. The Viper Profiles have become the standard profile workhorse, with great gobo options and a fantastic color speed on the color wheel.”

“The MAC Viper AirFX has great zoom optics,” said Johnson. “It’s a great all-around fixture. I could do the whole show just with these.”

“I love the Viper Air FXBeams,” said Johnson. “They have become a great addition to the Martin range and filled a gap that Martin had. They work really well and have produced some fantastic aerial looks over the audience. The Aura I think I can say is Normandale’s favorite LED wash fixture as they seem to feature on nearly everything he does.”

The Moon Landing World Tour started in December 2013 in China and will run until spring 2015, making its way through North America, Europe, Africa and South America.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Press Releases For : September 24, 2014

BenQ Now Shipping MH630 Multipurpose Projector

Colorific Display Brings 3D-Readiness, Full HD, and Power-Saving Capabilities to Versatile Projection Settings (more…)

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Back by Popular Demand: DTV Audio Group Forum to Appear at Upcoming 137th AES Convention

“The Implications of Streamed Content Delivery on the Evolution of Television Audio Services” to be held Friday, October 10, 1 p.m. through 6 p.m.

New York, NY, September 23, 2014 ” The Audio Engineering Society announces the return of the DTVAG (DTV Audio Group) ” an organization of senior-level broadcast network executives promoting best practices and successful strategies for digital television audio production and delivery” to its special events roster at the upcoming 137th Audio Engineering Society Convention, taking place October 9-12, 2014, at the Los Angeles Convention Center. Expanding on the popularity of last year’s debut, the DTVAG forum will continue to discuss the hot topic of streaming content delivery and its impact on today’s TV landscape. The forum is produced by the DTV Audio Group in association with the Sports Video Group (SVG) and sponsored by Calrec, Dolby Laboratories, DTS, Lawo and Linear Acoustic.

Some of today’s brightest minds in television audio will participate in this year’s forum, entitled: DTV Audio Group Forum: The Implications of Streamed Content Delivery on the Evolution of Television.” This event will take a look at the way content delivery is increasingly following a streamed model and being deployed with very short lead times via a virtualized delivery infrastructure, which allows for further advancements in related broadcast services including audio quality, spatially immersive sound, personalization and bandwidth efficiency. A series of five engaging panels, presentations and discussions will dig deep into each topic, and teach attendees about some of the tools and workflow approaches required to manage and exploit the capabilities of next-generation audio standards and take television audio into the future. Specific discussion topics will include:

This Is Not Your Father’s MVPD: A look into how the transition to IP infrastructure and streamed content is transforming cable and how this facilitates advanced audio codecs

So Long SDI and MADI: IP infrastructure for audio and video contribution within the broadcast plant and in the field

Interactivity, Objects and Spatially Immersive Audio: Mixers and technologists on the migration of object audio from cinema to the small screen and mobile

Object Audio Toolbox: What are the essential monitoring and authoring tools required for object audio production?

It’s All in Your Head: The state of headphone virtualization for immersive audio formats

Commenting on the state of streamed content delivery and the common thread among each forum topic, DTV Audio Group Executive Director Roger Charlesworth notes, “The explosive growth in streamed content delivery over mobile and fixed devices has re-written the playbook for television media distribution. Streaming delivery models are also inexorably finding their way into existing cable services and are being written into next-generation advanced television standards. The migration from traditional broadcasting to an IP stream-based model greatly simplifies implementation, and, combined with tablet-empowered UI, frees distributors to pursue a range of formats and encoding solutions with sophisticated interactive and object-oriented audio services. Our forum at AES137 will address the current and future direction of these trends and their implications for manufacturers, broadcast professionals and end users alike.”

For further information about the DTV Audio Group Forum, which is available to all attendees, and how you can get your FREE Exhibits-Plus badge (pre-registration required), as well as further Registration, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

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Audio-Technica Now Shipping System 10 Camera-Mount Wireless System

System10_CameraMount

— Operating in the 2.4 GHz range, System 10 camera-mount wireless avoids TV and DTV interference, offering a dependable, high-fidelity wireless solution for videographers —

STOW, OH, September 23, 2014 — Audio-Technica, a leading innovator in transducer technology for over 50 years, is displaying the System 10 Camera-Mount Digital Wireless System, a digital wireless system designed to provide rock-solid performance along with easy setup and clear, natural sound quality. Featuring a compact design, the system is available in handheld, lavalier and body-pack configurations. Operating in the 2.4 GHz range, far from TV and DTV interference, this system offers extremely easy operation and instantaneous channel selection. Up to eight channels may be used together without any frequency coordination problems or group selection issues.

System 10 Camera-Mount Digital Wireless System Features:

Digital 24-bit/48 kHz wireless operation for ultimate sound quality
Dependable performance
Automatic frequency selection for seamless, interference-free operation
Three levels of diversity assurance: frequency, time, & space
3.5 mm (1/8″) output jack with switch to select between TRS balanced and unbalanced (dual mono)
Features convenient rechargeable internal battery
Receiver and transmitter battery level displays
Removable antennas
Camera shoe mount
1/8″ headphone jack with volume control

The System 10 Camera-Mount Digital Wireless System is now available in the following configurations:

ATW-1701 body-pack system: ATW-R1700 receiver, ATW-T1001 UniPak® body-pack transmitter. U.S. MSRP: $664.95
ATW-1701/L lavalier system: ATW-R1700 receiver, ATW-T1001 UniPak body-pack transmitter, MT830cW omnidirectional condenser lavalier microphone. U.S. MSRP: $789.95
ATW-1702 handheld system: ATW-R1700 receiver, ATW-T1002 unidirectional dynamic microphone/transmitter. U.S. MSRP: $699.95.

For more information, please visit www.audio-technica.com.

About System 10 Digital Wireless
System 10 offers high-fidelity digital wireless for performing musicians and presenters. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers advanced 24-bit operation and amazingly clear sound. System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.

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Audinate® and Bose® Professional to Sponsor Dante™ AV Networking Roadshow Events at InfoComm MEA in Dubai

Framingham, MA, September 23, 2014 – To kick off what will become a series held in multiple global locations, Audinate® and Bose® Professional will launch their AV Networking Roadshow – focusing on Dante™ technology – at InfoComm MEA in Dubai, UAE. The sessions, titled “Introduction to AV Networking,” are one-day sessions, being offered two days consecutively: October 15 and 16, from 11:00 a.m. to 5:00 p.m. each day. The events are sponsored by Bose Professional and Audinate, with support from Atterotech®, Digital Audio Labs and Yamaha®.

Dante, created by Audinate, is the leading audio-over-IP networking solution. It offers virtually perfect synchronization, ultra-low deterministic latency and plug-and-play configuration management. Dante’s real-time streaming is suitable for live broadcast, commercial installation, live sound, public address, intercoms and transportation communications deployments.

Intended for AV and IT professionals who have a novice or intermediate understanding of AV networking, these sessions expose attendees to the current state of audio networking and control for AV systems, emerging technologies and trends in AV networking. The instructor-led training uses a variety of components from Bose and other participating manufacturers, and provides an opportunity to learn audio networking theory, design and implementation through interactive, hands-on sessions using Dante audio networking technology. Presenters include Kieran Walsh, Senior Technical Solutions Manager, Audinate; and Biju Abdul Majeed, Design Engineer, Bose Corporation. The sessions are eligible for RU credits.

Attention will be paid to the following topics:
• Connecting devices and routing audio over a Dante network
• Network switch configuration for various applications
• Working with IT managers to define network requirements
• Basic network troubleshooting

These are all-day sessions, with lunch provided. Each day’s session is limited to 50 attendees, and you can enroll as part of your registration with the InfoComm Dubai show. Register for the course “Introduction to AV Networking.”

Darryl Bryans, Product Line Manager, DSP, Bose Professional, stated, “The AV Networking Roadshow is a great way to quickly come up to speed on the latest information regarding audio networking and to get some hands-on experience using Dante audio networking technology and a variety of products. We’re pleased to be working together with Audinate and the other participating manufacturers to offer these sessions in Dubai and beyond. By the end of the day, participants should be able to confidently implement and install a Dante enabled system.”

“As the market leader in media networking, Audinate believes that one of the ways people can fully appreciate just how easy Dante is to install, integrate and use is to support our OEM partners in educating their customers.” says Ervin Grinberg, Director of Marketing, Audinate. Grinberg also adds, “Dante is the most requested networking technology, and we are pleased to showcase the benefits regionally to present this hands-on comprehensive, well thought-out program.”

Future AV Networking Roadshow events are being scheduled for markets around the U.S. and the world.

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GC Pro Helps DCP Productions Take Commercials On The Road

DCP_MobileRig

— Boutique Baltimore commercial production house created a mobile production rig that, like their six-suite studio, was built with both equipment and expertise from GC Pro —

WESTLAKE VILLAGE, CA, September 22, 2014 — Don Cherel, the Founder and Director/Producer with DCP Productions, created the iconic Motorcycle Money Man for commercial client GEICO, along with spots for Planet Fitness, the Washington Nationals MLB team and the Washington Capitals NHL team. Now DCP Productions, like their mobile GEICO creation, itself is ready to go on the road, with a flypack rig that will let it shoot, record, edit and mix on location, vastly increasing the boutique shop’s productivity while giving it access to new sights, sounds and talent. And that road rig, like DCP Productions’ six-room video and audio production facility in Baltimore, was sourced with a combination of technology and expertise provided by Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users.

Eight-year-old DCP Productions’ business model is predicated on Cherel’s “concept to completion” notion, which enables clients to work with one entity for concept creation; original music creation; and pre-, field- and post-production. “By simply eliminating the layers of multiple companies in the advertising development process, DCP is able to create content and transform it into quality advertising media much less expensively and faster than traditional ad agencies,” Cherel explains. “That savings is passed on to the client.”

The new mobile rig, which tackles its first official project in July for the next GEICO campaign, is made up of two 12-space racks that hold gear including a Universal Audio® Apollo high-resolution interface, an Avid Pro Tools system with Thunderbolt connectivity, an Avid MC Mix controller, an API 550 EQ, Crane Song Falcon compressor and two Rupert Neve Designs 542 tape emulators.

All of this equipment was sourced through GC Pro Account Manager Mitch Shaivitz at GC Pro’s Baltimore-area office. The mobile rig’s make-up grew from Shaivitz’s conversations with Cherel about what the producer/director wanted to accomplish. “I called up Mitch and said, here’s what I want to do,’ and he came back with equipment suggestions that matched our workflow at the studio,” Cherel explains. “This mix of equipment and systems really make the mobile rig an extension of the studio — our workflow remains the same on the road and in the studio, so the end product is totally consistent.”

“Every product choice was well thought-out,” says Cherel. “With the exception of cameras and lenses, virtually every piece of equipment we have, in the studio and on the road, came through GC Pro. “They have the products and the expertise. But mostly, they get what we’re trying to do.”

For more information, please visit www.gcpro.com.

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CRAS and HARMAN’s JBL Professional M2 Master Reference Monitors Serve Up A Feast for the Ears At 2014 PotLuckCon Audio Conference

At PotLuckCon: Peter Chaikin of JBL (left) and Robert Brock of CRAS (right) in the CRAS state-of-the-art mobile broadcast truck featuring JBL LSR6300 Series studio monitors and Studer Vista 5.

TUCSON, Arizona — Calling itself “the ultimate weekend of audio recording geekery,” the 2014 PotLuckCon Audio Conference brought recording industry professionals together for a healthy serving of workshops, seminars, recording sessions and demos from the best and brightest in the pro audio industry. A key participant was the Conservatory of Recording Arts and Sciences (CRAS), which hosted a demo room featuring HARMAN JBL’s flagship M2 Master Reference Monitor loudspeakers. The CRAS mobile broadcast unit was also on hand, which rolled in equipped with JBL LSR6325P studio monitors and a Studer Vista 5 digital mixing console.

CRAS is a technical school providing instruction in audio recording, engineering and production. Its two locations in Tempe and Gilbert, Arizona teach students the skills they need to start their career in the day they graduate.

The JBL M2 Master Reference Monitor is a 2-way powered large-format loudspeaker designed to set new standards for sonic accuracy and dynamic range in professional monitoring environments. It incorporates JBL’s newly developed D2 dual-diaphragm, dual-voice-coil compression driver, a Differential Drive™ dual-voice-coil woofer and JBL’s proprietary Image Control Waveguide™ to deliver exceptional studio monitor performance.

JBL’s LSR6325Pbi-amplified compact studio monitor provide exceptional performance in applications where accuracy is a CRAS Digital Department Director Robert Brock first became interested in the M2 when visiting JBL’s Northridge, California facility. “I was stunned at the level of accuracy and detail the M2 delivered,” he said.

When Brock subsequently began planning the CRAS exhibit at PotLuckCon, he realized the professionals at the convention would be the perfect audience for the M2. “PotLuckCon draws exactly the kind of people who, like our students, need to hear this loudspeaker.”

One of the highlights of PotLuckCon is the Casita Gear Crawl, in which the exhibit rooms are transformed into mini-studios. CRAS’s Casita featured a pair of M2 monitors. “For most of the people who came to our room it was the first time they’d heard the M2 and it was a big hit,” Brock commented. “It’s really unlike anything else out there for its ability to faithfully reproduce everything that’s on the original recording with absolutely uncompromised dynamics and frequency extension. It’s incredibly revealing without ever sounding clinical or harsh and its tonal balance and spatiality remain intact over a wide listening area.”

Also at PotLuckCon, Andrew Scheps, producer, mix engineer and principal of Tonequake Records, delivered a poignant presentation titled “Lost In Translation,” which examined the effect of low-resolution digital delivery on the emotional impact of recorded music. Sponsored by the Recording Academy® Producers and Engineers Wing®, and with JBL M2 Master Reference Monitors as the playback system, the crowd experienced Scheps’ dramatic A/B comparison of high and low-resolution file formats.

For more information on CRAS, please visit www.audiorecordingschool.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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