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Press Releases For : December 17, 2014

DPA Microphones Help Cats On Trees Deliver A Great Live Sound

Cats On Trees 2

Live sound engineer Verlaine Levis used to think that DPA microphones were only suited to classical music and never imagined that they were also great for pop rock tours. But since using a selection of DPA mics on the current Cats On Trees tour, Levis is the first to admit that his initial perception was entirely wrong.

“When DPA’s French distributor Audio² gave me the opportunity to try the company’s microphones with Cats On Trees, I was happy to accept the challenge,” Levis says. “It didn’t take long to dicover that these great microphones have beefy pickups and are perfectly suited to rock and pop acts. We’re now using three d:facto™ Vocal Microphones, as well as a d:dicate™ ST2011C Stereo Pair with 2011C Compact Cardioids and a number of d:vote™ 4099 Instrument Microphones for drums and violins.”

Levis, who began his career with French sound company Audio-Lum, started working as a live sound engineer in 2001 and has toured with the likes of Sidilarsen, Claude Sicre, Bombs 2 Bal, Zebda, Magyd Cherfi and Mouss and Hakim. He is also building a strong reputation as a recording engineer, having been asked by a number of artists to assist with studio sessions.

Cats On Trees, a French musical duo consisting of Nina Goern and Yohan Hennequin, specialise in ambient indie pop and have released one self-titled album and a number of singles including Sirens Call, which reached No. 3 in the French charts in 2013. The band is now half way through a European tour that will see them play nearly 200 dates in various countries including France, Germany, England and Spain.
“The tour is awesome and they are playing to virtually full houses every time,” Levis says. “Since September they have been performing with a string quartet, but because we have such a busy touring schedule there hasn’t been much time for residency work or to prepare the mix. Therefore the show is being built as we go along.”

Levis runs the Front of House sound, the mix for the In Ear Monitors and the shipment of sequences since he mixes upstream.

“With the help of our lighting person, we have set up a network between sound, light and stage,” he explains. “Yohan controls the lights and video via a MIDI controller, but I am the master of the Mac, which manages the sequences and the network. Feeling comfortable is of ultimate importance to the artist so I try hard to achieve that, but with this duo it is very difficult to create a show that is the same every time because they are constantly changing things.”

The progressive evolution of the show was a key reason why Levis decided to switch to DPA microphones. He had previously used DPA omnidirectional microphones to record voice ensembles and orchestras in churches, therefore he knew of their ability to faithfully recreate the acoustics of a venue. After speaking to Audio², he was able to try out various combinations until he found the microphones that worked for him.

“I had a very clear idea of how each instrument should sound,” he explains. “I wanted to bring a lot of omnidirectional microphones on tour so that I could capture the natural colour of the instruments, but given the on-stage proximity of the drums and piano, this was not possible. As it stands, only the ambient microphones are omnidirectional.”

Levis eventually opted for DPA d:vote 4099 Instrument Microphones for the drum kit and was immediately impressed by the sound, which he describes as ‘very powerful and very natural’.
“These microphones really pick up extreme levels – they are great,” he says. “We now have DPA d:vote 4099s on the bass drum, snare, toms and violin. I even had them as under-cymbals this summer. I am most impressed with the way they capture the sound of the bass drum. I position the mic at the entrance of the drum and slightly inside it. Although the capsule is very small, it still delivers the most amazingly deep, accurate bass.”

Levis is also using DPA d:facto Vocal Microphones, which have solved the feedback issues he was having with other mics. The band has three on stage – one for Yohan on drums and two for Nina as she sings in two different locations.

“For Yohan, the issue was his drum kit,” Levis says. “I was afraid his vocal mic would pick up a lot of extraneous sounds but in fact what I achieved with d:facto was a clarity to his voice that no other mic would have given me. I just had to think carefully about the positioning of his microphone to avoid rear rejection. Furthermore, the d:faco has a very high gain and its gain before feedback is incomparable.”

“As for Nina, well to be honest it was Nina who chose d:facto – not me. We’d tried a number of different mics but it was d:facto that she really liked. I never impose a microphone on a singer and I even made her do a blind test because I wanted to be sure she was 100% comfortable with the way her voice sounded. She immediately noticed the difference and now doesn’t want to sing with any other microphone.”

The fact that DPA microphones deliver a very precise sound has given Levis’ mixes more accuracy and finesse. They have also made everyone more demanding when it comes to sound quality, especially when it comes to tuning drum kits.

“For me, the DPA microphones can be summarized in two words: natural and punchy,” Levis says. “What’s more they are very rugged. I’ve broken three microphones so far on this tour, but not a single one of them has been a DPA.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

DPA Microphones Go On The Road With Bombay Bicycle Club

bombay-bicycle-jack-steadman-dfacto-2_w

Earlier this month indie rock luminaries Bombay Bicycle Club became the very last band to play London’s legendary Earl’s Court venue, which is soon to be demolished. The band took to the stage as part of an epic world tour, which not only highlighted the success of their So Long, See You Tomorrow album but also allowed them to use DPA microphones extensively on the road for the first time.

And if delivering the last ever gig at Earl’s Court wasn’t enough, Bombay Bicycle Club also happily accepted a special guest when Pink Floyd’s Dave Gilmour joined them on stage. Gilmour first played steel lap guitar on the band’s song Rinse Me Down, before giving an emotional rendition of Wish You Were Here, backed by Bombay Bicycle Club. As with all of the performances that night – and during the entire tour – DPA microphones were on hand to ensure exception audio quality.
Dave Gilmour

Tour Manager Steven Down has been working with the band for five years. He says: “Jon Burton, the previous FoH engineer, brought the DPA d:facto™ Vocal Microphone to our attention while he was reviewing equipment for one of the pro audio magazines. Jack Steadman (lead vocals) gave it a go during the warm up tour we did at the start of this campaign and he was very impressed with the clarity compared to the dynamic mics we had been using previously. Shortly afterwards we obtained a capsule to use on our Sennhesier wireless system for Liz Lawrence who does a lot of backing vocals in the show. More recently we have started using d:dicate™ 2011C Twin Diaphragm Cardioid units on the kick and snare and some d:vote™ 4099 Instrument Microphones on the toms with great results.”

Downs adds that the Bombay Bicycle Club show moves from songs with loud distorted guitars and heavy drums to quiet and intimate piano and vocal solos. “I think the dynamic range and the frequency response of the d:facto really allows Jack to perform with confidence in all situations,” he says.

Steadman himself is certainly a fan of the d:facto Vocal Microphone.

“The wonderfully clear, bright sound of the mic means I don’t have to mess around endlessly with EQ to get the results I want,” he says.

Also happily not messing around with EQ too much is Simon Lutkin, freelance sound engineer and production manager who first took over monitors for the band during their Different Kind Of Fix tour in 2012.

“We have drums, bass, guitars, keys, percussion, backing vocals and a brass section onstage during the show — it can get pretty busy!” he says of the current set-up. “Currently the show is around 40 channels but both Tom Wiggans (FoH) and myself try to keep the channel count down as much as we can. A lot of the shows we do are festivals and rolling in with too much can be a problem for broadcast and patch.”

Everyone has in-ear mics, but Lutkin also uses wedges on the downstage edge and side-fills to add feeling. Add to that up to nine people at any one time and the stage can get pretty full.

“With that many on stage, any help I can get through technology is great,” Lutkin says. “I use scenes for each song to make small changes automatically through the show so I can keep my eye on the band. The d:facto Vocal Microphone really helps control the ambience for the main singers. Compared to other mics, as well as having a pretty tight pickup pattern, the overall tone of the spill is much nicer to listen to. In a live scenario you are always up against bleed from other sources, but with this set of mics the spill is much more pleasant sounding and therefore can be a help rather than a hindrance.”

All of the band’s DPA mics were supplied by the company’s UK distributor Sound Network. Alongside the d:facto, the tour configuration sees Lutkin use d:dicate 2011C mics on both kick and snare because they are small enough to be deployed exactly where he wants them and light enough to stay in place without putting any pressure on the stand or clamp. d:vote 4099 Instrument Microphones are also in use for rack, floor, crash, ride and the brass section.

To maintain consistency the group carries all the mics and IEMs with them internationally, simply hiring in consoles locally (a DiGico SD7 for FoH and Midas Pro2c for monitors), thus ensuring that the signal path from source to output is the same each day.
bombay-bicycle-saxophone-VO4099S_w
“In a live scenario you can’t always place mics exactly where you want for a variety of reasons, so having a set of mics that work well wherever you put them is a real positive,” concludes Lutkin. “All the DPA mics we use on Bombay, like all the ones I have used in the past, never fail to impress day after day. Since populating the stage with DPA microphones it has really made a difference to the quality of the overall sound of the show.”
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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Electrosonic Provides AV Support for the “Beyond Rubik’s Cube” Traveling Exhibition Celebrating the 40th Anniversary of the Colorful Puzzle

BRC_MechanicalCube_1_adjustThe colorful Rubik’s Cube made its debut 40 years ago and continues to delight and intrigue puzzlers today. A new twist on the puzzle, “Beyond Rubik’s Cube,” opened at Liberty Science Center in Jersey City, New Jersey, with audio-visual design, integration and installation by Electrosonic.

Electrosonic was hired by exhibit fabricator Maltbie, a kubik Company, to take on the project designed by the Science Center’s Experience Services. The 7,000 square-foot exhibit, with 24 areas featuring AV support by Electrosonic, is intended to travel; after 11 months at Liberty Science Center, it will start a seven-year international road trip.

The exhibit features three exploration zones with the themes of Invent, Play and Inspire. They offer tantalizing puzzles, robotic manipulations, music, art and original artifacts, which become creative platforms for the exploration of Professor Ern? Rubik’s cube and the culture it has inspired.

Electrosonic account executive Bryan Abelowitz, who partnered with project manager Thursby Pierce on the job, says “Beyond Rubik’s Cube” posed a number of challenges. “There was a short turnaround time of five months from concept to completion,” he notes. “We coordinated with a number of media producers to create an exhibition that entertains Science Center visitors and can easily travel to new venues worldwide.

“Everything is dual voltage and interconnected via wireless and wired networks. We worked closely with the Science Center on a pretty unique system that enables them to act as host, remotely monitoring the exhibit and updating content when it travels. Twenty Samsung tablets run interactive apps as exhibits, and can be remotely configured for different languages.”

The exhibit is very robust in its construction, too, Abelowitz says, “so it can hold up to wear and tear.” Components will be packed in custom cases for travel.

“Beyond Rubik’s Cube” is dominated by bright colors and strong geometric shapes. “It’s a very vibrant space,” Abelowitz says.

Visitors enter through a passageway where multiple cameras, Microsoft Kinect devices and Panasonic projectors with ultra short-throw lenses generate real time expanding geometric images in response to people walking into the exhibit area. Extron DVI extenders are also utilized in the entry tunnel.

Professor Rubik is quizzed about his famous puzzle in an interview seen on a 55-inch Samsung portrait monitor; a Solve Bar enables visitors to solve the riddle of the cube on ELO 55-inch LCD touchscreens.

A 55-inch Ideum Pro multitouch table offers visitors the chance to tackle designing their own twisty puzzle; a 100-inch Ideum Pano multitouch table is big enough for eight or ten players to collaborate on making tessellation patterns.

The Cube Culture exhibit is outfitted with Brightsign HD media players and multiple monitors located alongside display cases of vintage cube-related ephemera, displaying videos about the history of the Rubik’s Cube and commercials that helped make it a marketing phenomenon. Brightsign HD media players are used elsewhere in “Beyond Rubik’s Cube” as well.

Bright yellow guest stations in the Cube Symphony exhibit, designed by Unified Field, enable visitors to create their own symphonies as they rotate two cube controllers. JBL speakers are mounted in the structure above the guest stations.

Another area features a wall mosaic created from hundreds of Rubik’s Cubes. A large panel on the floor adjacent to the mosaic displays a video about the mosaic artist and his work projected by multiple Christie DHD675-E HD DLP projectors.

Electrosonic has created a mobile control room for “Beyond Rubik’s Cube.” The equipment rack on wheels is located in a corner of the exhibit space and can be moved anywhere. The exhibit uses an AMX system controller and tablet control app.

“Beyond Rubik’s Cube” was developed by Liberty Science Center. Richard Lewis Media group provided the linear media pieces, Blue Telescope and Unified Field provided the interactive elements, and Motion Picture Company provided the entry feature.

About Electrosonic
Electrosonic, celebrating its 50th anniversary, is an international audio-visual company that creates tailored, state-of-the-art solutions for a wide range of markets including theme parks, museums, control rooms, and corporate meeting rooms. Since its founding in 1964, Electrosonic has built a strong reputation for working on complex projects, both large and small, and has developed lasting partnerships with customers and suppliers. Beyond complete integrated systems, Electrosonic provides a comprehensive scope of services including technical design, projector lamp sales, maintenance and operational support.

Learn more about Electrosonic. Visit http://www.electrosonic.com

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One Year Later, API 1608 is the Perfect Foundation for the Blackbird Academy

BlackbirdAcademy_1stAnnivNASHVILLE, TENNESSEE – DECEMBER 2014: The API 1608 analog console at the center of The Blackbird Academy’s thirty-seat classroom has scarcely been idle since the school opened its doors in 2013. The Blackbird Academy, an extension of the top-flight, multi-room Blackbird Studio in Nashville, is owned and operated by recording engineer John McBride and his wife, country music superstar, Martina McBride. Students in the program learn the basics of pro audio sound quality and signal flow using the classroom’s 1608, and then apply that knowledge in Blackbird Studio’s control rooms, which include a 32-channel API 1608 and two large-format API Legacy Plus consoles.

“The API 1608 sounds great, and serves as the perfect foundation for our students to build from,” said Kevin Becka, instructor and co-director of the academy. “Before arriving at Blackbird, most of our students got into audio using their own computers with inexpensive interfaces. They’re shocked at how the act of simply plugging in an instrument to the clean signal path and transformers of the 1608 can make it sound. We’ve come to call the effect, ‘API Love’. The construction of the 1608 is well thought-out and executed – everything about it is solid.”

The classroom is designed to give students a co-pilot’s view of everything the instructor is doing. Video cameras mounted above the 1608, and display the view on 65-inch screens. Each student uses an academy-issued iPad with custom-created apps, providing descriptions of every aspect of the studio, and how those aspects connect with gear in Blackbird’s dedicated control rooms.

Outside the classroom, students disperse into the control rooms of Blackbird Studio for smaller classes, and execute independent projects. “These are the very same control rooms that are regularly attended by some of the biggest names in the music industry,” said Becka. “It’s a unique experience for the students to go into those rooms and know that yesterday, Tim McGraw or Keith Urban were in the same room. Learning signal flow on the classroom’s API 1608 transfers directly to Blackbird’s two API Legacy Plus consoles.”

The staff at The Blackbird Academy is looking forward to a second year, and continued success, behind the API 1608.

ABOUT API (AUTOMATED PROCESSES, INC.) Established 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608, and the BOX recording consoles, as well as its classic line of modular signal processing equipment.
www.apiaudio.com

Ashly Processors and Amplifiers Breathe New Life into Bourbon Square Casino

Bourbon_Square_Casino_1SPARKS, NEVADA – DECEMBER 2014: Formerly called The Silver Club, Bourbon Square Casino recently reopened in the Reno-Sparks area of Nevada. In addition to a fresh New Orleans theme, Bourbon Square now sports a new eight-zone sound reinforcement system centered on an Ashly ne8800 processor and four two-channel ne800 70-volt amplifiers. Critically, the system also features iPad wireless remote control via the free Ashly Remote App, which allows the Bourbon Square staff – who are experts on gaming but not necessarily pro audio – to control the system intuitively.

“There was a four year span between the closing of The Silver Club and its rebirth as Bourbon Square,” explained Mike Pristow, general manager at Vision Control Associates, the firm that designed and installed the casino’s new sound system. “They were able to blow the cobwebs off the old sound system and power it up, but it sounded horrible. It was an old design with old equipment, and a lot of the loudspeakers were blown. We suggested a new multi-zone system using Ashly processing and amplifiers together with SoundTube loudspeakers. In addition to standard audio playback, they wanted to allow pages and prerecorded message delivery from their phone system with appropriate ducking.”

Five of the zones are strategically located throughout the game floor, one covers the restaurant, and the two remaining zones cover the phones and the message unit using the DSP’s ducking feature in the event of an overhead page or automated advertising through their message repeater. Inputs to the system include two DMX boxes, two DirecTV signals, a digital signage unit, video projector output, and two microphones for special events or announcements. A single eight-by-eight Ashly ne8800 Protea™ DSP Network System Processor handles all routing logic, input equalization, and loudspeaker processing. Its output feeds four dual-channel Ashly ne800 70V Network Amplifiers, which power a collection of eight-inch SoundTube CM82-EZs-II loudspeakers and three-inch SoundTube SM31-EZ loudspeakers.

“The staff have a lot more to think about than complicated sound system controls,” said Pristow. “We used Ashly’s free iPad App to give them custom control of input sources and volumes, as well as a collection of appropriate presets. It was my first time programming Ashly’s iPad app, and it went smoothly.”

“Like a lot of installations, providing a cost-effective, high-performance system with intuitive user control was paramount,” said Randy Premetz, vice president of design and engineering with Vision Control Associates. “Ashly makes competitively-priced equipment that is flexible, powerful, and reliable – exactly the sort of thing that is needed for a job like Bourbon Square. And the company’s phenomenal support guarantees a smooth installation as they always deal with our problems and questions at a time scale measured in minutes. It’s been my experience that Ashly treats all integrators with respect, no matter the size – it’s in their DNA.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Danley DBH-218 Sub Rocks the New Student Building at Dogwood Church

Dogwood_Church_1TYRONE, GEORGIA – DECEMBER 2014: Thoroughly modern in its approach and attitude, Dogwood Church pays special attention to the youngest members of its congregation. That dedication was exemplified by the construction of a new four hundred-seat youth multipurpose building on Dogwood Church’s seventy-acre campus in Tyrone, Georgia. The church sought out Chicago-based Advanced Systems & Technologies (AST) to help maximize the impact of the multipurpose building’s audio, video, and lighting systems on a limited budget. AST obliged with a complete AVL system design that rests squarely on the deep fundamentals of a Danley Sound Labs DBH-218 subwoofer. The young congregants at Dogwood Church now experience a high-energy, visceral experience that grabs them – almost literally – at every level.

“Dogwood Church has a lot going on,” said Terry McCarthy, partner and systems specialist with AST. “They’re a very contemporary church with a focus on students and families, and their worship style is appropriately contemporary and high-tech. We began working with them early in the process and thus had a major role in shaping the acoustics and electrical specifications. That was important because the church had a lot of expectations but a limited budget with which to meet them. We listened carefully to their needs and helped them prioritize so that they would have the very best system for the money.”

Dogwood_Church_InteriorHigh on the priority list was the kind of deep bass that takes your breath away and reframes music as a physical experience. “No doubt, the young people connect with low end,” said McCarthy. “We had to give them plenty of bass! The Danley DBH-218 delivers exceptional low-end content at any price, but it’s very affordable.” The DBH-218 is legendary acoustician Tom Danley’s take on conventional subwoofer design. The payoff for its larger footprint is awesomely punchy, impactful bass, and the single DBH-218 covers Dogwood Church’s new student room beautifully. AST built a custom enclosure under the stage for the DBH-218, which allows for the maximum impact from the subwoofer. Efficiently powered by a QSC-PLD-4.5 series amplifier the DBH-218 receives an incredible 4200 watts of continuous power (7500 watts peak).

The rest of the system is comprised of self-powered stereo RCF HD 10a line arrays, a Behringer X32 digital console and snake system, Behringer personal mixers, and Juice Goose power sequencing. AST also designed a comprehensive Perdue Acoustics sound control system to minimize reflections and to even out the room’s frequency response. The facility also has two high-quality air walls allowing the room to subdivide for multiple simultaneous smaller events. AST installed three control point locations, which are networked for ease of access, quick changes and minimal set-up time. They also designed and installed a comprehensive HD/SDI Video System with two 7500-lumen Panasonic video projectors firing on a pair of 193-inch Da-Lite screens that flank the stage. In addition, there are six HD camera locations, two – 55-inch HD video monitors for stage view, and a 16 x 16-channel distribution system that sends high-quality video to the foyer TVs and throughout the facility. McCarthy also designed a sixty circuit comprehensive stage lighting system which includes: seven Lighting Bar locations, two Martin Rush movers, sixteen Blizzard RokBox™ LEDs and twelve Leviton 575-watt spot fixtures. The lighting system also boasts a full dimming compliment with total control of all the house lighting fixtures featuring Doug Fleenor and Lightronics. This coupled with a black wall and ceiling motif give Dogwood Church’s new student building the look and feel of a modern theater or live music venue.

“The folks at Dogwood Church couldn’t be happier,” said McCarthy. “We came in on budget and gave them a system that will meet all of their technical needs and more. And with the Danley DBH-218 installed, it’s pure Rock ‘n Roll!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

Press Releases For : December 16, 2014

Riedel Appoints Robert Pennington as U.S. Sales Manager, Broadcast, for East Coast

WUPPERTAL, Germany — Dec. 16, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, has named Robert Pennington to serve as its U.S. sales manager, broadcast, for the East Coast. In this new role, Pennington will assist customers in selecting and implementing Riedel’s broad product portfolio of networked communications and signal transport solutions.

“With unusually rich experience across broadcast production, networked communications, systems integration, and the broadcast and pro AV technology supply business, Bob is equipped to approach each customer and application with valuable insight,” said Christopher Street, general manager, North and Central America, at Riedel Communications. “For more than 25 years, he has been immersed in the East Coast media industry, and his exceptional knowledge and experience in this area will be immensely valuable as we continue to introduce innovative new communications and signal-transport solutions to North American customers.”

Pennington began his professional career as a broadcast television news producer at WCIV-TV in Charleston, South Carolina, and at WTOV-TV in Steubenville, Ohio. While with WCIV-TV he also served as camera operator, video editor, and microwave and satellite remote live truck operator. Pennington later served as program director for MDTV at West Virginia University, where he helped to design and supervise a multisite telemedicine program and worked to help standardize the university’s classroom technologies.

Subsequent roles with systems integration firms and resellers included that of branch manager and account executive at Seneca Communications and account executive at Video Central South. He later served as sales manager and product specialist at Anton/Bauer, commercial products manager for Sima Products, and in business development and sales roles at Texolve Digital.

Pennington is based in Connecticut and reports directly to Street.

Information about Riedel and the company’s products is available at www.riedel.net.

# # #

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 350 people at 12 locations in Europe, Asia, Australia, and the Americas.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Riedel/Riedel-RobertPennington.jpg
Photo Caption: Robert Pennington

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Biamp Systems Releases Tesira(R) 2.3

Award-winning DSP platform adds IEEE 1722.1 functionality, enhanced reporting capabilities, Audio-Technica(R) microphone software, and telephony support

BEAVERTON, Oregon — Dec. 16, 2014 — Biamp Systems, a leading provider of innovative networked media systems, today unveiled Tesira(R) 2.3. Part of the company’s award-winning line of digital signal processing (DSP)-based products, the platform’s newest release introduces IEEE 1722.1 AVB support. Tesira 2.3 also includes greater reporting capabilities for expanders, a new dedicated software block for Audio-Technica’s Dante(TM) microphones, and increased telephony support. (more…)

NUGEN Audio at the 2015 NAMM Show

2015 NAMM Show Product Preview
NUGEN Audio

At the 2015 NAMM Show in cooperation with Music Marketing (booth 6242, hall A), NUGEN Audio will introduce MasterCheck, the first modern loudness tool for the music industry, as well as a significant update of Visualizer, the company’s industry-leading audio analysis tool. For more than a decade, NUGEN Audio has been serving the needs of music producers in over 50 countries, from the hobbyist to some of the biggest Grammy award-winning names in the industry.

MasterCheck
MasterCheck is the first music-industry-specific audio plug-in designed to facilitate mix and mastering for the modern world of loudness normalized playout. iTunes(R), Spotify(R), and DAB Radio all now use loudness normalization, and MasterCheck reveals how the consumer will hear audio on these and other music platforms by using internationally recognized loudness, dynamics, and true-peak standards. Ideal for every aspect of music production including recording, mixing, mastering, compilation, archive, and restoration, MasterCheck can also be used for producing podcasts at optimal loudness levels for dialog clarity within the listener environment. With MasterCheck, audio engineers can employ a single plug-in to apply loudness matching and dynamic content analysis, using techniques such as peak-to-loudness ratio (PLR) to compare multiple sources. The advanced side-chain loudness matching can also be used to audition signal paths, without the “improvement” of increased loudness, to understand precisely how various effects, such as compression, can change the sound with no influence from the loudness enhancement.

Photo Link: www.wallstcom.com/NUGEN/NUGENAudio-MasterCheck.png
Photo Caption: MasterCheck Audio Plug-in

Visualizer Audio Analysis Suite Version 2
Version 2 of Visualizer significantly expands the capabilities of NUGEN Audio’s leading audio analysis suite designed for high-end music professionals. Ideal for music mixing and mastering as well as audio post-production, Visualizer provides comprehensive audio analysis for recording, mixing, and mastering in a single plug-in. A standardized reference set of professional tools is designed to help audio engineers work faster, avoid mistakes, repeat past successes, and understand the success of others.

Based on customer feedback, Visualizer now features numerous user interface enhancements including a fully resizable interface, a multiview feature that enables engineers to compare multiple sources with a single plug-in, and a “difference” view showing the difference between two input signals. Visualizer is available in a version supporting Avid Pro Tools | HDX, as well as a stand-alone application version.

Photo Link: www.wallstcom.com/NUGEN/NUGENAudio-Visualizer.png
Photo Caption: Visualizer Audio Analysis Version 2

Quote:

“As North America’s premier show for music pros, NAMM is an ideal venue for us to showcase our industry-leading solutions for mixing and mastering, audio metering and analysis. Our new MasterCheck plug-in is receiving high praise from some of the industry’s best-known and most prolific audio engineers, enabling them to create music that sounds as it should on any playout device. With the latest version of Visualizer, we’re making it easier than ever for audio engineers to access the data they need, when they need it, to achieve the perfect mix.”
– Jon Schorah, Founder and Creative Director, NUGEN Audio

Company Overview

NUGEN Audio’s award-winning tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in music production, broadcast, and post-production. For audio professionals, NUGEN Audio’s mix and mastering products offer market-leading fidelity and unrestricted creativity in every situation, providing an easy, direct, and natural way to work with sound. NUGEN Audio tools have become critical for some of the biggest names in the industry including Michael Brauer (Coldplay, The Rolling Stones), Robbie Bronnimann (Chicane, Paul Van Dyk), and Mr. Mig (Beyonce, Akon). For more information, visit www.nugenaudio.com.

Deloitte Recognizes Audinate as One of the Fastest Growing Companies

Ultimo Australia-NSW-For the second year in a row, Audinate has been recognized by Deloitte as one of the fastest growing technology companies in the prestigious 2014 Asia Pacific Technology Fast 500 with 186% growth. Audinate was also recognized in the Technology Fast 50 for Australia.

Audinate develops the industry-leading Dante™ digital media networking solution enabling the delivery of high quality, low-latency audio over traditional IT networks. Dante has been adopted as the industry standard in pro audio, live sound, recorded music, conferencing, houses of worship, broadcast and communications.

The Deloitte Technology Fast 500 Asia Pacific program recognizes technology companies that have achieved the fastest rates of annual revenue growth in the Asia Pacific region during the past three years. It includes those companies based in Australia, China, Hong Kong SAR, India, Indonesia, Japan, Macau SAR, Malaysia, Philippines, New Zealand, Singapore, South Korea, Taiwan, Thailand and Vietnam.

“Making the Deloitte Technology Fast 500™ is commendable in today’s highly competitive technology industry,” said Ichiro Nakayama, Deloitte Japan partner in charge of the Deloitte Technology Fast 500™ Asia Pacific program. “We congratulate Audinate on being one of the 500 fastest growing technology companies in the region.”

“We’re delighted to be recognized for the second year in a row by Deloitte for our continued success in the AV industry,” comments David Myers, COO of Audinate. Myers adds, “Not only have we grown our customer base by over 60% in the past year, we have also increased our portfolio with new products such as Dante Ultimo, Dante Via and Dante HC, which has opened up new markets for us.”

About Deloitte Touche Tohmatsu Limited
Deloitte refers to one or more of Deloitte Touche Tohmatsu Limited, a UK private company limited by guarantee, and its network of member firms, each of which is a legally separate and independent entity. Please see www.deloitte.com/about for a detailed description of the legal structure of Deloitte Touche Tohmatsu Limited and its member firms. Deloitte provides audit, tax, consulting, and financial advisory services to public and private clients spanning multiple industries. With a globally connected network of member firms in more than 150 countries, Deloitte brings world-class capabilities and high-quality service to clients, delivering the insights they need to address their most complex business challenges. Deloitte has in the region of 200,000 professionals, all committed to becoming the standard of excellence.

This communication contains general information only, and none of Deloitte Touche Tohmatsu Limited, its member firms, or their related entities (collectively, the “Deloitte Network”) is, by means of this communication, rendering professional advice or services. No entity in the Deloitte Network shall be responsible for any loss whatsoever sustained by any person who relies on this communication.

© 2014. For information, contact Deloitte Touche Tohmatsu Limited.

About Audinate

www.audinate.com

Audinate Winner of the Delliotte Asia Pacific Fast 500


Audinate revolutionizes AV systems to enable our customers to thrive in a networked world. Audinate’s Dante media networking technology has been adopted by the leading OEM manufacturers and has become the standard and dominant networking technology in the professional audio/visual industry. Dante is used extensively for live performance events, commercial installation, broadcast, recording and production, and communications systems. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd, Audinate is a registered trademark of Audinate Pty Ltd.

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