A virtual press conference from Sound & Video Contractor

Press Releases For : August 26, 2014

High Resolution Audio to Be a Major Focus at 137th Audio Engineering Society Convention

— DEG to present a comprehensive High Resolution Audio program October 10 at AES137 in Los Angeles —

New York, NY — The 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles) will feature a High Resolution Audio (HRA) program Friday, October 10, 2014. The direct result of a collaborative effort between the Audio Engineering Society (AES) and DEG: The Digital Entertainment Group, the HRA program will include a number of panels and sessions that address the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more. These panels and sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry.

“The DEG is pleased to join with the Audio Engineering Society in promoting the benefits of Hi-Res Audio during this event,” said Amy Jo Smith, President, DEG. “Working together, we can underscore HRA’s numerous benefits to the professional recording community and enlist their support in helping drive this initiative.”

For over 65 years, nearly every seminal audio development has been incubated and promoted within the AES community, beginning with stereo LPs in the 1950s and continuing with magnetic tape in the 60s, digital audio and the Compact Disc in the 70s, perceptual coding (e.g. MP3) over the past 25 years, all the way to today’s digital streaming formats. It’s no wonder that the DEG and the AES have decided to partner to bring to AES137 Convention attendees the most current and comprehensive information on the state of High Resolution Audio, which is defined as “lossless audio that is capable of reproducing the full range of sound from recordings that have been mastered from better than CD quality music sources.”

For information on how you can get your FREE Exhibits-Plus badge (pre-registration required) and detailed information on the High Resolution Audio Program at the AES137 Convention, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

About DEG
DEG: The Digital Entertainment Group is an industry association that advocates and promotes entertainment platforms, products and distribution channels on behalf of the motion picture, music, consumer electronics and technology companies.

About the Audio Engineering Society
The Audio Engineering Society was formed in 1948 and now counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. Currently, its members are affiliated with more than 75 AES professional sections and more than 95 AES student sections around the world. Section activities may include guest speakers, technical tours, demonstrations and social functions. Through local AES section events, members experience valuable opportunities for professional networking and personal growth. For additional information visit http://www.aes.org.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

Video Devices Product Line Steps into the Spotlight at IBC for the First Time

New Brand Identity from Sound Devices Reinforces Video Product Line

AMSTERDAM, AUGUST 27, 2014 – Video Devices, mission-critical video products by Sound Devices, will make its IBC debut at this year’s exhibition (Hall 8, Stand B59). Since Sound Devices introduced its first video products, the camera-mounted PIX 240i and PIX 220i, the company has expanded on its success with a range of rack-mounted, network-connected video recorders. These product additions, including the new PIX 270i and PIX 250i, have opened new markets and product categories for the company.

“While production sound equipment is our foundation, and we continue to develop new audio gear, video production has become increasingly important for us,” says Matt Anderson, President of Sound Devices. “We are excited to highlight this new brand to the international broadcast community, in addition to our range of audio gear, at IBC 2014.”

The network-connected PIX 270i and PIX 250i video decks offer significant advantages for production workflows, providing time-saving tapeless, file-based recording and playback with the ability to remotely control, set up and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i (a world’s first for a video deck) and the PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective tool for high-performance video capture and presentation.

Over the next several months, the company will brand all video-related products as Video Devices, including the PIX 240i, PIX 250i, and PIX 270i recorders. All future video products will also be branded Video Devices. This is a key step in a focused strategy to make Video Devices a dominant force in the video production and video integration markets.

Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures both brands from its Reedsburg, Wisconsin headquarters, with additional offices in Madison, WI. For more information, visit the Video Devices and Sound Devices websites, www.videodevices.com; www.sounddevices.com.

FSR’s New LITE-IT Enclosed Box Light Named Winner In rAVe’s 2014 Annual Best of InfoComm Awards

Woodland Park, NJ – FSR is proud to announce that its LITE-IT Enclosure Box Light, introduced at this year’s InfoComm 2014 show in Las Vegas, has been named a winner by rAVe [Publications] in its 2014 Annual Best of InfoComm Awards in the category of “Best New AV Accessory.” Winners were revealed following the show, which reports a record high of 37,000-plus attendees from more than 114 countries. After scouring more than 490,000 net square feet of space and visiting with the 947 exhibitors showing new products and technologies, the rAVe team carefully chose the products that they thought were the best and most innovative.

FSR’s new LITE-IT easily provides lighting in floor, wall and ceiling boxes, or anywhere a work light is needed. This little light securely fastens to any ferrous metal surface via a “rare earth” magnetic mounting. A timed circuit automatically turns LITE-IT off after 75 seconds, and its anti-retrigger circuit prevents it from staying on even if the switch is held continuously.

“FSR is proud that our new LITE-IT Enclosure Box Light has not only received a very warm reception from show attendees at this year’s InfoComm show, but that it also gained the attention of the staff from rAVe and won its 2014 Annual Best of InfoComm Award,” said Jan Sandri, FSR president. “While looking to address the needs of our many users in markets ranging from education and houses of worship to corporate and medical, FSR wanted to design a unit that would deliver the same level of outstanding performance for which we are known.”

LITE-IT’s warm 3000K LED color for eye comfort provides over 12 Lumens of light output (20 percent more than a standard PR-2 flashlight bulb), and its super-efficient wide angle dual LED’s furnish a lighting pattern with uniform brightness to very end of battery life. High-quality alkaline batteries are included and pre-installed and provide 4+ years of typical usage from a single pair of batteries (Based on 2 operations per day, 5 days per week, 52 weeks per year).

rAVe [Publications], founded in 1998 by Gary Kayye, is a news organization that provides coverage of the commercial (ProAV) and residential (HomeAV) audiovisual trade industries via e-newsletters, blogs, video, social media, and a variety of other mediums.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Focusrite Ships Midnight Plug-In For FREE

Company offers a FREE Midnight Plug-in suite with purchase of any new Saffire PRO Firewire/Thunderbolt-compatible multichannel audio interface

Los Angeles, CA, August 18, 2014 – Focusrite is now shipping its Midnight Plug-in suite free (a $99.00 value) with the purchase of any new Saffire PRO Firewire/Thunderbolt-compatible multichannel audio interface. The Midnight Plug-in suite precisely models the performance and sound of Focusrite’s two most iconic modules, the ISA110 equalizer and ISA130 compressor, and provides elegant, functional on-screen front panels for easy user control.

“It seemed only fitting for us to provide Midnight free with the leading Saffire PRO line of Firewire interfaces, since Scarlett, the top-selling USB interface line, ships with Scarlett Plug-in software,” says Phil Wagner, President of Focusrite Novation Inc. “All newly registered Saffire users can download this powerful plug-in. Many users have come to rely on Focusrite’s Firewire technology, as Saffire Pro offers great sound quality overall and rock solid driver performance.”

The original designs of the ISA110 equalizer and ISA130 compressor can be traced back to the legendary Focusrite mixing console, the subject of a recent documentary film, “The Story of the Focusrite Studio Console,” which has over 120,000 views on YouTube.

Focusrite’s Saffire PRO line-up was originally introduced in 2006 and features four award-winning models of Firewire interfaces: the 8-in/6-out Saffire PRO 14, the 16-in/8-out Saffire PRO 24, the market leading 20-in/20-out Saffire PRO 40, which features eight mic preamps, and the unique 28-in/28-out Liquid Saffire 56, featuring Focusrite’s Liquid Mic Pre convolution technology. All Focusrite Firewire interfaces may be connected to a Thunderbolt-capable computer using an Apple Thunderbolt adapter (not included), thereby freeing up valuable USB ports. All Saffire PRO Firewire interfaces now ship with 800-to-400 Firewire cables.

The Saffire range of interfaces has a huge fan base worldwide, including professional users such as GRAMMY®-winning mixer, engineer and producer Adrian Bushby, known for his work with Foo Fighters and Muse. Bushby, who regularly uses the Midnight Plug-in suite when mixing, observes that vintage hardware processors can stop working, and while an engineer is limited by the number of devices in the outboard racks, he or she can use as many instances of a Midnight Plug-in as they wish. “It’s a win-win,” he says.

In this video, Bushby further discusses why he uses the Focusrite Midnight Plug-in Suite: http://youtu.be/7TxTaMPieJY

For More information, go to www.focusrite.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

Bose® RoomMatch® Loudspeakers Selected for Mayfield Dinner Theatre in Edmonton, Alberta

The challenge was to install a sound system that provided even, comprehensive coverage, and a newly installed Bose® RoomMatch® sound system was the right solution

Framingham, Massachusetts – The Mayfield Dinner Theatre is one of the leading live entertainment venues in Edmonton, Alberta, producing five new comedies, dramas and musicals every season, six days a week. The sound for a theater with that much variety has to be exceptional and versatile, so last summer Edmonton-based AV integrator Production World teamed with Bose® Professional Systems to install a new sound system and ensure that there was even coverage to all tables and seats. The new system consists of Bose RoomMatch® Progressive Directivity Array loudspeakers. Production World installed the system, which consists of three hangs — two outer arrays, each with four symmetrical array modules, and a center array with two symmetrical array modules and two RMS215 subwoofers, all powered by four Bose PowerMatch® PM8500N networked amplifiers. The system provides even, comprehensive coverage of the entire 400-seat half-round theater, with seating on four tiers.

“They make the best use of the space they have there, so the tables on the first tier come right up to the edge of the stage,” explains Kelly Kimo, Vice President of Production World. “That was where the theater had some of their biggest challenges with sound: the old sound system needed front fills on the lip of the stage to cover those front tables, but those seats wound up with very loud audio compared to other tables in the room.”

Production World had previous experience with RoomMatch loudspeakers, in one of Edmonton’s largest churches, and the result far exceeded expectations. So they called on Bose once again. With input from Bose’s technical support team members using the Bose Modeler® design software, Production World created and installed the new system. Now, it not only sounds fantastic but looks that way, too, without the visual intrusion of the front-fill speakers, whose function is now covered by the center cluster above the stage, leaving sightlines clean and clear.

The new system has brought with it another benefit: certain audience members’ hearing aids were impacted and overdriven by the previous PA system’s sound. Now, says Kimo, the even and smooth coverage that the RoomMatch system delivers has made their experience markedly better. “There’s no longer a sharp boost in certain midrange frequencies that could really be annoying to hearing-aid users,” he says. “This system works for everyone and gives them all a great theater experience every time.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

Alex Clare Rocks the V Festival with HARMAN Soundcraft Vi6 Digital Consoles

LONDON, United Kingdom – Singer-songwriter Alex Clare headlined the Future Stage at the recent V Festival in Celmsford Essex, with The Old Lion Touring Company providing a pair of HARMAN Soundcraft Vi6 digital consoles for FOH and monitors.

According to Alex Clare’s FOH engineer Harry Devenish, Clare’s performances showcase a human approach to electronic music. “Alex’s performances fuse the weight and power of electronic records with live elements,” he said. “A lot of that is due to the bass setup—the bass guitars trigger a synth and a sub, creating a heavy, dynamic sound on stage.”

Devenish has significant depth of experience with the Soundcraft Vi6, having used one of the first models several years ago. “I come from more of an analog background and was slow to embrace digital, but I’ve always been comfortable with the Vi6,” he said. “It has a very intuitive surface, with hands-on encoders and two layers, it’s very flexible. You can do a lot on the Vi that you can’t do on other digital desks.”

“Vi Series consoles are so easy to work on,” said Tim Boardman, Tour Manager for The Old Lion Touring Company. “I’m from the studio world but I can walk up to the Vi6 and make it work, which is saying something!”

This fall, Old Lion will provide a Vi3000 and Vi6 console for a 10-week tour with Clare, where Boardman and Devenish plan on using the Soundcraft Realtime Rack library of plug-ins from Universal Audio. “We’re really excited about using the Realtime Rack library,” Boardman noted. “Bringing those effects that are predominantly used in studio settings to live performances makes a lot of sense.”

“Realtime Rack will be massive for us!” Devenish remarked. “The Vi6 is already a convenient console to work on and this will take the performance up another level.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Platinum Tools® Features New Cable Prowler™ PRO Test Kit at 2014 CEDIA Expo

NEWBURY PARK, Calif., Aug. 26, 2014 – Platinum Tools(R) (www.platinumtools.com), the leader in solutions for the preparation, installation and hand termination of wire and cable, is proud to announce that it will launch the Cable Prowler™ Pro Test Kit during CEDIA Expo 2014, held in Denver from Sept. 11-13 at the Colorado Convention Center, booth #500. Made in the USA, the Cable Prowler Pro Test Kit, (p/n TCB360K1) is now shipping with an MSRP of $749.95.

“We analyzed what a field technician would need to carry for the variety of jobs that he has to do and came up with a kit that include accessories to augment and optimize the value of the highly acclaimed Cable Prowler™ Color Display Tester,” explained George Jang, Platinum Tools product manager. “Kitted together with different adapters in a hard-shell carrying case, the Cable Prowler™ Pro Test Kit offers the professional installer a complete and versatile solution at a significantly reduced price than if each component was purchased separately.”

The Cable Prowler Pro Test Kit (TCB360K1) includes:
• Cable Prowler™ Tester with color LCD display
• #1-8 Network/Tel Test and ID Remotes
• #1-8 Push on Coax Remotes
• #1-12 RJ45 Data Smart Remote set
• Micro USB cable
• No-Fault cable – Qty 2
• RJ45 Port Saver
• RJ45 to Alligator 12 inch
• F Female to F Female adapters, F81 (2)
• BNC Female to F Female adapter
• BNC Female to F Male adapter
• Durable plastic case
• Quick Start Guide

“Ideal for the custom install and integrator market, the Cable Prowler provides full cable testing, displaying wire map, numbered ID remotes, and determining any faults, including shorts, opens, miswires, split pairs, and reverses,” explained Jang. “It also enables quick identification of a network drops link capability and current link status. All in full color and with internal memory to save results, as well as the ability to export to a computer via micro USB cable for record keeping and printing. All test results can be exported in a spreadsheet or a graphic format.”

The full-featured Cable Prowler measures cable length (using TDR technology) and generates tone levels for signal tracing and cable identification on all pairs, a selected pair, or a selected pin. “All of this displayed in a bright color graphical display for easy viewing in any environment,” added Jang. “Cable Prowler also has the ability to name each cable.”

For security and powered networking applications, the Cable Prowler detects the presence of PoE on the network drop and what class of PoE per IEEE 802.3 af/at with load test for voltage drop. As with the other tests, these results can also be saved and exported for record keeping.

For pricing and more information on Platinum Tools and its complete product line, please visit www.platinumtools.com, call (800) 749-5783, or email info@platinumtools.com.

About Platinum Tools
Platinum Tools, founded in 1997, was created based upon two very simple objectives. First, develop the absolute best possible solutions for the preparation, installation, and hand termination of wire and cable. Second, implement an operational infrastructure that can deliver these products in an efficient, timely, and high quality manner.

All of our products must absolutely satisfy three critical benchmark criteria…utility of function; quality of function; and economic value. Our people are our company. They, too, must be focused on and work to satisfy three critical benchmark criteria…customer satisfaction; product knowledge and expertise; and willingness to learn and adapt.

# # #

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

FIFA World Cup Stadiums Feature World-Class Audio with HARMAN Professional

Arena da Amazonia in Manaus, Brazil (Photo Credit: Gabriel Smith)

BRASILIA, Brazil – With hundreds of thousands of fans in the stadiums, not to mention the billions who tune in from across the globe, making sure the sound is perfect for the 2014 FIFA World Cup is no small undertaking. When faced with challenge of delivering the most sophisticated, world-class audio experience possible, from the Amazon basin in the north to the banks of the River Guaiba in the south, eight of the major stadium venues in Brazil’s 12 host cities featured HARMAN’s wide range of audio solutions. In addition, a wide variety of Studer Vista consoles were used for television broadcast of the games.

“From inception through delivery, each component in our family of brands is designed to provide a sophisticated, integrated and affordable audio solution,” said Robert Klesser, National Sales Manager, Install & Cinema, HARMAN Brazil. “As soccer transcends sport and becomes an expression of culture, we are honored to be the brand of choice for so many of the venues hosting matches during the 2014 FIFA World Cup.”

While the components installed vary by venue, popular products include HARMAN’s IDX communication systems, AKG microphones, BSS signal processing, Crown amplifiers, Soundcraft digital consoles and JBL loudspeakers. The range of stadiums equipped with HARMAN audio solutions is diverse in terms of size, location and age.

Beginning on a plateau in southeastern Brazil, on the Atlantic Coast, Arena de Sao Paulo hosted the opening match between Croatia and Brazil. Built specifically for the World Cup, the facility seats 68,807 and will serve as the new home for Sport Club Corinthians Paulista. Systems integrator Johnson Controls and audio integrator Soundvision outfitted the facility with the IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL Control Contractor ceiling loudspeakers and Soundcraft Si Expression digital consoles.

Surrounded by mountains in Belo Horizonte, Brazil, which is inland from Sao Paulo and Rio, Estadio Mineirao is a national monument that will host not only World Cup matches but also numerous matches during the 2016 Summer Olympics as well. Built in 1965, the venue seats 57,400 and recently underwent an extensive renovation that took three years. Johnson Controls systems integrator and Soundvision audio integrator equipped the landmark stadium with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Nacional, in Brazil’s capital city, Brasilia, opened in 1974, was renovated in 2013 and seats 68,009. Systems integrator Siemens and audio integrator Loudness equipped the massive facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Castelao is located in Fortaleza, Brazil, considered a “fortress” port on the country’s northeast coast, more than 1,500 miles from Rio. The facility, which opened in 1973 and reopened in 2013, seats 58,000. For sound, systems integrator TODO and audio integrator Telem equipped the stadium with an IDX communication system, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Compact digital consoles.

Arena da Amazonia is in Manaus, Brazil, the capital of the state of Amazonas and, at 2,659 miles from Rio, the furthest north of the host cities. The stadium, which opened in March 2014, seats 42,374. Systems integrator Johnson Controls and audio integrator Soundvision equipped the facility with AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers and JBL Control Contractor Series ceiling speakers.

Arena Pantanal, which opened just two months before the World Cup, is 1,200 miles from Rio, near the Bolivian border and close to the center of South America, in Cuiaba, Brazil. It seats 42,968. Systems integrator Canal Livre and audio integrator Soundvision equipped the facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, Crown DCi amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Expression digital consoles.

Arena Pernambuco is in an economically deprived area on the outskirts of Recife, Brazil, more than 1,400 miles from Rio. With a seating capacity of 42,800, the stadium was opened in 2013 with the hope that it will act as a catalyst for local regeneration long after the World Cup. Systems integrator NEC and audio integrator Telem installed an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Finally, the oldest of the World Cup venues, Arena de Baixada is in Curitba, Brazil, south of Sao Paulo and about 500 miles from Rio. Originally built in 1914, the stadium was completely rebuilt in 1999 and then renovated again for the World Cup. It seats 41,456. Systems integrator NEC and audio integrator Telem equipped the facility with a HARMAN lineup that includes IDX communications systems, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL AWC weatherized compact loudspeakers, JBL PD5000 Series loudspeakers, JBL Control Contractor loudspeakers and Soundcraft Si Expression 3 digital consoles.

HARMAN Professional also had a strong presence in the broadcast elements of the World Cup, with multiple Studer Vista consoles in use for television broadcast of the games. In Rio de Janeiro, a Studer Vista 9 digital console was used to broadcast all 64 games via the TV Globo Network to the Jardim Botanico area. In addition, TV Globo’s OB Van HD3 used a Vista 9 to specifically feed games from Maracana Stadium for live transmission to Jardim Botanico. Projac, the main center of television production for TV Globo, also used a Vista 9 in its OB Van HD8 for live shows related to World Cup events. TV Globo also utilized a pair of Vista 8 digital consoles for television broadcast of live performances centered on the World Cup.

In Sao Paulo and Brasilia, TV Globo’s OB Van HD1 was equipped with a Vista 8 console for the games that were hold in those two cities. A Vista 8 and a Vista 9 were also used in Sao Paolo for live performances related to the World Cup.

Lastly, RCN in Colombia used its OB Van, equipped with a Studer Vista 5 digital console, to broadcast the entirety of the Colombian National Team’s games in the World Cup.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Matrox Announces World’s First SDI Cards with 12 Reconfigurable Inputs/Outputs

Matrox X.mio3 FH and DSX LE4 FH cards give developers multi-channel I/O from SD to 4K with support for AES/EBU, LTC, GPIO and optional advanced hardware processing

Matrox® Video today announced the Matrox X.mio3 FH and DSX LE4 FH SDI cards, part of the next generation of Matrox DSX™ Developer Products. The half-length PCIe cards offers up to 12 reconfigurable I/Os, from SD to 4K, along with support for AES/EBU, LTC and GPIO. All inputs have built-in frame synchronizers to generate clean SDI signals for any environment. On Matrox X.mio3 FH, multi-channel hardware processing accelerates compute-intensive operations including motion-adaptive de-interlacing, up/down/cross scaling and mixing/compositing for all resolutions.

Matrox X.mio3 FH SDI card

Matrox X.mio3 FH and DSX LE4 FH are the ideal hardware platforms for OEMs who need to create advanced channel-in-a-box systems, video servers, broadcast graphics systems, encoders, transcoders, multiviewers, switchers and other digital media equipment. Comprehensive development tools in the Matrox DSX SDKs for Windows® or Linux® include versatile file reading/writing, memory management, streaming synchronization, and a large selection of software codecs and effects. A prototyping tool provides a graphical representation of all hardware components so developers can simulate and test their use cases within minutes, before writing a single line of code. From a single development effort, broadcast equipment manufacturers can create a variety of products at a full range of price/performance levels.

“With 12 SDI channels, our new products give OEMs a unique 4K broadcast CG solution with support for live input, graphics compositing, and 4K fill and key outputs on a single card,” said Alberto Cieri, senior director of sales and marketing, Matrox Video. “Full compliance with the SMPTE ST 425-5 specification for image mapping for the quad link 3 GB/s SDI interface ensures worry-free connectivity with other equipment in the broadcast chain for 4K workflows.”

Matrox products will be demonstrated at BIRTV (Beijing, Aug. 27–29) on Matrox distributor Beijing Zhongheng Xingye Technology Group’s stand 1B107 and at IBC2014 (Amsterdam, Sept. 12-16) on the Matrox stand 7.B29.

Availability
Matrox Xmio3 FH and DSX LE4 FH will be available in December 2014. Developers may obtain more information by e-mailing video_oem.info@matrox.com.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News, Tradeshow News

Sweepstakes Winner Irvine Barclay Theatre Uses Hitachi Projector to Add Depth to Stage Performances

Irvine, California, August 26, 2014 – The Irvine Barclay Theatre in Irvine, CA hosts 200 events per year, many of which require a dynamic visual accompaniment. In the past, a projector would be rented on a case-by-case basis depending on performance groups’ needs, but after Chris Burrill entered and won Hitachi’s Facebook projector sweepstakes, it’s made a huge impact on both streamlining and improving performances.

“A high-quality projector such as this wasn’t in our budget plans this year, but we are thrilled with this acquisition,” said Mr. Burrill, General Manager, Irvine Barclay Theatre. “We get lots of shows that aren’t completely self-contained, and for those shows the Hitachi CP-X8170 saves us and our clients both time and money.”

The theatre used the projector for the first time earlier this year for ArgenTango, a benefit for the theatre’s programs featuring the cast of Forever Tango. A slideshow of Argentinian architecture complemented the onstage dancing to complete the mood. Another performance from JazzReach, a New York non-profit jazz program, projected a Miles Davis voiceover, images, live footage and interviews of the legendary trumpet-player while the group played his music on stage.

The Hitachi CP-X8170 projector offers a brightness of 7,000 ANSI lumens and features Hitachi’s exclusive Accentualizer image processing with Sharpness, Gloss and Shade controls that enhance sharpness, improve contrast and make fine details clearer. The result is superior, more realistic image quality even in brightly lit rooms that is comparable to the picture quality from a flat-panel TV.

“It’s been a great resource for several different kinds of shows,” said Mr. Burrill. “The HD capability and the zoom lens are features we weren’t used to having prior to the Hitachi CP-X8170, and they’ve definitely improved the audience experience so far.”

Check Hitachi’s Facebook page regularly for more information on free projector giveaways.

For more information on Irvine Barclay Theatre, visit http://www.thebarclay.org/

For more information on Hitachi visit www.hitachi-america.us/digitalmedia

Follow Hitachi on Facebook at www.facebook.com/pages/Hitachi-Projectors/131067323636829

About Hitachi, Ltd.
Hitachi America, Ltd., headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For more information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

About Hitachi, Ltd.
Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, delivers innovations that answer society’s challenges with our talented team and proven experience in global markets. The company’s consolidated revenues for fiscal 2013 (ended March 31, 2014) totaled 9,616 billion yen ($93.4 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional materials & components, automotive systems, health care and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication