A virtual press conference from Sound & Video Contractor

Press Releases For : August 25, 2014

‘Torus Power Hour +’ CEDIA CEU Course Promises to Be a Groundbreaker Thanks to an All-Star Cast of Industry Experts

Renowned experts Anthony Grimani, Dennis Erskine, Arthur Kelm, Dr. Henry Pajooman, David Rodarte and Kevin Main give CEDIA professionals the inside track on grounding and power for high-end, high-performance installations

TORONTO, ON, CANADA - AUGUST 25, 2014 – Torus Power, a subsidiary of Plitron Manufacturing and maker of uncompromising and unrivaled isolation transformer–based power management components, announced today the Company will be hosting the groundbreaking ‘Torus Power Hour +’ Industry Expert Panel Session and Manufacturer Training Course during CEDIA Expo 2014, onSeptember 12, from 3 to 4:30 PM (Room 605 at time of press).

“Though commonly misunderstood, proper power management ensures both the integrity and performance of connected Audio/Video equipment is preserved,” says Kevin Main, VP of Sales and Marketing for Torus Power. “The Torus Power Hour + aims to demystify and educate the audience on proper power and grounding while providing some strong opinions and invaluable application insight from some of the best minds in the industry. This will be a discussion worth making time for!”

Main will introduce Torus Power and the esteemed panel, including host David Rodarte, global strategist and champion of the CE industry and recipient of Consumer Electronics Association’s TechHome Leadership Award. Rodarte, also past CEO of NuVo Technologies and now CEO of ChangingVelocity, will lead a panel of luminaries from all corners of the industry. Panelists include Anthony Grimani, world-famous audio expert and acoustician and President of Media Specialty Resources, Inc. and Dennis Erskine, award-winning THX-certified professional theater designer, acoustical engineer, CEO of the Erskine Group, and CEDIA Vice Chairman. Joining them will be power and grounding expert Arthur Kelm, CEO of Ground One, and Dr. Henry Pajooman, Ph.D., specialist in motors and magnetics and VP of Engineering for Plitron Manufacturing.

The CEDIA course is worth 0.75 Continuing Education (CEU) credits, but Torus Power Hour’s real draw is the promise of an electrifying discussion on power and grounding for high-end, high-performance installations. The panelists will also cover everything integrators need to know to properly power, protect, and preserve electronics, followed by a deep dive into related technologies and key success factors. Some questions that will be put to the experts are: What are some of the high-level considerations that you think about when working on a power-hungry project? What are the symptoms you’ve experienced in a system that only an isolation transformer could have resolved? How do integrators justify the investment in toroidal isolation products with customers? And more.

As a thank you for the time taken away from the busy trade show floor, Torus will award one pre-registered course attendee the prize of the Torus Power AVR 20 Toroidal Isolation Power Transformer with Automatic Voltage Regulation. Enrollment for the course is limited to 90 students and early registration is encouraged.

To register for the Torus Power Hour + (CEDIA course MPTTP001-1), visit https://events.itnint.com/CEDIA14/RegOnline/RegLogin.aspx?stream=attendee.

Torus Power is a Crestron Integrated Partner and a member of Savant’s Partner in Excellence Program, which enables seamless integration across platforms. More information about Torus Power can be obtained by visiting www.toruspower.com, calling (800) 754-8766, writing to tech@toruspower.com and by following @TorusPower on twitter.

To schedule a media tour during CEDIA Expo 2014, contact Katye (McGregor) Bennett, KMB Communications, (425) 328-8640katye@kmbcomm.com@katyemcgregor, or stop by booth #1066 during the Expo.

About Torus Power
Torus Toroidal Isolation Power Conditioners are the world’s finest clean power source for audio, video, and control systems. Built to an uncompromising standard of quality, performance and reliability, Torus Power Conditioners are engineered to perform and protect like no other. Torus Power products are the consistent choice of knowledgeable audiophiles, home theater enthusiasts, custom electronic system integrators and designers, whose discriminating tastes and technical requirements mandate the ultimate performance and protection levels achievable.

Utilizing Plitron’s patented NBT technology and toroidal isolation transformers, Torus Power products restore incoming power to its clean original state, eliminate virtually all power line noise artifacts, and protect connected equipment from potentially damaging AC power line events, thereby increasing system reliability and extending product life. Providing high levels of clean, instantaneous current, Torus Power products ensure that dynamic components—such as high power amplifiers—are never starved for power.

Precision engineered by Plitron Manufacturing Inc., a much sought-after OEM supplier of toroidal transformers and toroidal-based products for many of the audio/video industry’s leading amplifier brands, providing more than 30 years of experience and an unparalleled reputation, Torus Power is manufactured to rigorous standards under Plitron’s ISO9001 medical-level quality control system in Toronto, Canada. More information can be found online at www.toruspower.com. Follow Torus Power on Twitter @TorusPower.

Torus Power Media Contact
Katye (McGregor) Bennett, KMB Communications, (425) 328-8640katye@kmbcomm.com@katyemcgregorwww.kmbcomm.com/press.

 

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Renkus-Heinz System for New Korean Venue

Incheon, South Korea – August 2014 … In late fall of 2014, South Korea will host the XVII Asian Games in and around Incheon, located near to the country’s capital, Seoul. Korea has previously hosted the Asian Games in 1986, closely followed by the 1988 Olympics, and the FIFA World Cup in 2002. More than a decade later, new venues were needed for the 2014 event.

While it is not one of the Asian Games’ official venues, the newly-built Ansan Evergreen Gymnasium will host volleyball and kabaddi up to the quarter final stages. Designed as a multipurpose space, the gymnasium will be home to the Ansan volleyball team and other sporting events, and will also host music and cultural events.

Audio company Daikyung Vascom provided the sound system, which features a Renkus-Heinz PN102 line array system. As Yang-Su Yun, manager of Daikyung Vascom’s RPS business division, explains, the project was a bit out of the ordinary.

“This building is owned by the government, which isn’t very common for a venue like this,” he says. “The local council based at Ansan City Hall wanted the building to function as both a sporting venue and a concert hall, and hence they needed a very good, high-performance speaker system. Other strict criteria were sound quality and functionality, both of which were extremely important factors in choosing the Renkus-Heinz system.’”

Yang-Su observes that Daikyung Vascom had previously installed a system at the Ansan City Hall, and has a good working relationship with the council. “They are familiar with our work, and they really appreciate the after sales service we provide.”

The main system in the hall comprises 32 PN102LAR array loudspeakers, configured as four arrays of eight cabinets each, 90 degrees apart. The arrays are positioned on each corner of a centrally-flown block which houses four large screens, so that spectators on all four sides of the hall have a close up view of the action. Additional fills are provided by four PN121-series two-way cabinets, as well as five ST4 three-way systems and a pair of CFX151 boxes. Four DR18-2 and two PN112SUB subwoofers provide low frequency reinforcement.

“The PN102 line arrays were selected for their accurate and even coverage pattern, providing consistent coverage to every seat in the hall,” says Daikyung Vascom’s CEO Patrick Han. “RHAON (Renkus-Heinz Audio Operations Network) control was another important factor in selecting the system, enabling networked DSP control over the entire system.”

Flexibility was the keyword when it came to designing the space, which will be hosting a wide variety of events. Permanent seats are available in the upper part of the hall, while bleacher-style seating along the hall’s two longer walls is retractable and can be folded back to the walls to accommodate more people. A stage can be constructed at the far end of the hall for large concerts. When being used in this configuration, temporary seating can be set up on the floor of the gymnasium, and a total of around 3,000 people can be accommodated.

The system design was carried out by Daikyung Vascom’s sales team, together with local systems integration specialist Sinwoo. Working closely with Daikyung Vascom, Sinwoo’s Byung-Sun Ahn designed a system that would be optimal for the space. The team used EASE acoustic prediction software to map the room and define its sound qualities.

“This was the first time I’ve worked with Renkus-Heinz,” says Mr Ahn. “I checked the specifications and references of the Renkus-Heinz speakers, and when I simulated them to fit the space I got very good results. The actual performance of the speakers was very close to what we’d predicted with EASE. I’m very satisfied with the system. I also really appreciated being able to use RHAON to tune the system, especially the mid frequencies.”

As for Ansan Urban Corporation’s Mr Kim, he is of the opinion that the speakers offer the best possible functionality for concert sound, providing high SPLs when required. “Once we are able to put on concerts here, the system will prove itself as really good for this kind of event, while also being able to provide intelligibility and clarity when the hall is being used for our sporting events,” he says.

Ansan Evergreen Gymnasium now boasts a state of the art sound system to complement its clean architectural design and functionality. The signs are positive that the new sporting venue will contribute to a successful and uplifting Asian Games later this year, providing a panacea that South Korea needs.

 ###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

You Say You Want More Resolution – Renault’s CAVE Raises the Bar for Virtual Reality Design

Paris, France – August 2014…Virtual Reality (VR) technology first appeared on the virtual horizon several decades ago, but it’s safe to say that the past few years have seen a quantum leap in its evolution. With ever-increasing processing power and ultra-high resolution display technologies, the cartoon-ish, low bitrate virtual worlds of yesterday have given way to stunningly realistic environments shockingly close to the real thing. And VR technology has become an integral aspect of so many of our most prolific industries, from military and pilot training, architecture, and medical research, to aerospace and automobile design.

French automobile manufacturer Renault has long been ahead of the curve in embracing new technologies. Most recently, the company has implemented a new CAVE (Cave Automatic Virtual Environment) facility at the Paris headquarters. While other auto manufacturers have also implemented CAVE technology, Renault’s facility boasts the highest resolution ever realized in a VR environment, with five sides of Sony-based imaging that can deliver up to 16k resolution.

Renault partnered with Mechdyne, a leader in VR and visual technologies, to design and implement the new CAVE facility. “Renault approached us to bid on the project, because we had already built a six-sided CAVE of that resolution, and we understood the challenges,” explains Mechdyne’s Richard Cashmore. “They had a very clear concept of what they wanted to do.”

“We wanted to work with a company who could provide us with a holistic, integrated system, including structure, projection, and computers,” explains Andras Kemeny, founder and head of Renault’s Virtual Reality and Immersive Simulation Technologies Group. “While many of the leading manufacturers have provided exceptionally good support and advice, we found that Mechdyne was not bound to a specific technology. They were able to look at the entire technological landscape, and consider combinations of different brands and products. Their approach was very focused on our specific goals, rather than on whatever technology they favored.”

The system includes five sides of Sony SXRD 4k projectors at 5.5k lumens, scalable to 16k — the first 16k VR environment anywhere in the world. “While there were some other options using newer DLP projection, ultimately, the Sony system delivered the fastest performance and the highest resolution, both of which were critical factors,” observes Cashmore.

Kemeny adds, “In this case, the Sony projector Mechdyne specified was originally designed for cinema-based solutions. Calibrating multiple projectors was not something Sony had addressed. Sony provided us some data, and then our engineers at Renault and Mechdyne collaborated for several months to design a calibration protocol. We’ve been quite happy with the results.”

Indeed, the collaboration between Renault and Mechdyne created a powerful synergy. “Originally, the relationship was that of client and provider, but over time it really evolved to where we were all really part of the same team,” says Kemeny.

“I think that’s one thing that’s unique about our approach,” observes Cashmore. “We really try and look at the project through the eyes of the end user. We’re not trying to sell whatever technology we’ve got in stock. We can recommend what we feel is best for them, given their goals and the technologies available.”

Though Renault’s CAVE was initially created for interior ergonomic design, Kemeny reports that the technology has become popular with other departments within the organization.

“One thing that was very exciting for us was the fact that the CAVE was being embraced by various departments within Renault,” he says. “Ultimately, this is enabling us to build a better vehicle.”

In fact, the Renault CAVE has led to discussions with Daimler (parent company of Mercedes Benz) on a new collaborative project. “There has long been a strong working relationship between Renault and Daimler,” says Kemeny.

“The collaboration with Mechdyne has given us the most state-of-the-art facility in the automotive industry,” Kemeny concludes. “It’s a system we can be very proud of.”

###

About Mechdyne 
Mechdyne is one of the world’s leading providers of innovative visual information technologies.  We bend technology to our will in ways that transform complex data into insights and ideas.  To ensure our customers succeed, we provide comprehensive, customized solutions that include consulting, software, technical services, and hardware integration.
With offices around the world, Mechdyne serves a global customer base.  Our customers include: leading government laboratories, energy companies, universities, manufacturing and design firms, U.S. armed forces, and other users of visual information technologies.

Press Releases For : August 22, 2014

Titan Mobile Knocks It Out Of The Park For MLB

Avolites’ compact console slugs a grand slam controlling lights at SE Systems-manned Major League Baseball stadium concert series

GREENSBORO, NC — As Major League Baseball pennant races hit a feverish pitch during these dogs days of summer, many teams are adding value to ticket prices with post-game stadium concerts by an eclectic group of all-star talent ranging from country’s Martina McBride to rap’s 50 Cent.

Much like a manager draws up a powerful yet balanced lineup full of professionals, turnkey production house SE Systems of Greensboro, NC was summoned earlier this summer by Select Artists Associates of Scottsdale, AZ to handle the pro audio/lighting needs for many of these entertaining shows hosted by the Washington Nationals and New York Mets, among others scheduled through the end of September.

Demanding a seamless, quick switchover as soon as the last pitch is thrown, SE Systems is tapping Avolites’ Titan Mobile lighting console for its small footprint (19″ x 14″), perfect for the field-friendly, time-sensitive roll-on for such a post-game assignment, explains SE lighting designer Nehemiah (aka “Captain Nemo”) Grubbs. (more…)

Meyer Sound M’elodie Hits the Right Notes for Tony-Winning Hedwig and the Angry Inch

Sound Designer Tim O’Heir has chosen a Meyer Sound system built around M’elodie® line array loudspeakers to reinforce the Tony Award-winning Broadway revival of the musical comedy Hedwig and the Angry Inch. The production entertains audiences with a high energy that Time Out New York says “makes Broadway rock harder than it ever has before.”

“The M’elodie center array is working out perfectly for the vocals,” says O’Heir. “It’s a rock concert sound, but we also needed great intelligibility along with vocal punch, because the lyrics carry the story line. On both counts, the M’elodies deliver every time.”

The main Meyer Sound system is anchored by dual front hangs of eight-each M2D line array loudspeakers flanking a center hang of 11 M’elodie loudspeakers, while a cardioid array of three flown 600-HP subwoofers provides low end. Two UPJ-1P VariO™ loudspeakers provide down fill, two UPQ-1P loudspeakers provide stall fill, and 16 UP-4XP loudspeakers cover front and box fill. System optimization is courtesy of a Galileo® loudspeaker management system with five Galileo 616 processors. Designed in a collaborative effort between O’Heir and audio consultant Kai Harada, the system was supplied by Secaucus, N.J.-based Production Resource Group.

For Harada, the flexible rigging of M’elodie was a huge benefit. “It’s a tall theatre, with three levels and short throws, so I needed the precision aiming of the M’elodie rigging to hit the seats and skip the balcony fronts,” says Harada. “And M’elodie is also just a great-sounding box.”

On stage, two guitar amplifier cabinets each conceal a UPJunior™ VariO™ loudspeaker while a USW-1P subwoofer supports the bass guitar. All three sources are controlled from the monitor desk.

“I appreciate that fact that Meyer Sound designs everything that you need to make a system work in house,” says O’Heir. “When you stick with one company that really knows what they’re doing, it all comes together and you avoid headaches. So when Kai proposed a Meyer Sound main system, I was confident it would all work out the way we wanted it to.”

The system is mixed on Midas PRO9 and PRO2 consoles for FOH and monitors, respectively. Performers use Ultimate Ears IEMs coupled to Shure RF systems and Sennheiser vocal microphones.

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Munich’s Deutsches Theater Chooses Compact Yet Powerful MINA from Meyer Sound

For its recent audio upgrade, the Deutsches Theater in Munich, Germany has selected a Meyer Sound MINA™ line array loudspeaker system due to its impressive power-to-size ratio and sonic performance.

With the MINA loudspeaker’s small footprint measuring just more than 51 cm [20 inches] long, the technical staff at the 1,500-seat Deutsches Theater was initially skeptical. “We first thought we would need boxes with at least two eight-inch drivers for such a large house,” says Stephan Kirschner, sound engineer for the Deutsches Theater. “But when we heard a MINA system at Jugendstil-Festhalle hall in Landau, we were quickly convinced. You could hear the same level of music everywhere, and the imaging was excellent, which is important in theatre.”

The main system comprises left and right arrays of 13 MINA loudspeakers each, with an additional center array of 10 MINA loudspeakers. Low-end reinforcement is provided by a cardioid array of three 500-HP subwoofers, with two 700-HP subwoofers each placed in two side loges.

For the rear balconies, where full musicality and speech intelligibility are vital for carnival balls, 20 MM-4XP self-powered loudspeakers with IntelligentDC technology are installed. An additional 12 MM-4XP loudspeakers provide front fill, while a Galileo® loudspeaker management system with three Galileo 616 processors supplies drive, delay, and optimization for the entire system.

Technical renovation of the Deutsches Theater, including scenic lighting, video systems, media technology, and microphone systems, was handled by Neuötting-based Zeiler-Technik.

First built in 1896, the municipally owned Deutsches Theater’s reopening was celebrated with a gala concert by the Munich Philharmonic. The theatre has since hosted musicals including The Wiz: The Wizard of Oz. Upcoming events include the Bob Dylan musical biography Dylan: The Times They are A-Changin’, the Alvin Ailey American Dance Theater, and the musical We Will Rock You, based on the music of Queen.

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HOSANNA LUTHERAN CHURCH GOES HI-FI WITH DANLEY

MANKATO, MINNESOTA – AUGUST 2014: Growing with the community since its founding in 1972, Hosanna Lutheran Church is now a cornerstone of religious life in Mankato, Minnesota. With four contemporary services a week, plus one traditional service and plenty of high-SPL youth events, its sanctuary sound and video systems were tapped to provide a huge range of content. Despite having loudspeakers made by a respected manufacturer, intelligibility and low-end extension were poor and a regular source of complaints until recently, when Audio Video Electronics (AVE) (Maple Grove, Minnesota) renovated the system. Citing their excellent fidelity and intelligibility, AVE installed a pair of Danley Sound Labs SH-60 loudspeakers. To give Hosanna Lutheran Church plenty of bass when needed, AVE also gave the church a beefy Danley DBH-218 subwoofer.

“Before AVE’s renovation, we always had complaints,” said Matt Kotthoff, technical director at Hosanna. “The system was muddy, and a lot of our disciples, especially some of the senior members, had a hard time understanding what was being said depending on where they were sitting. Also the system lacked intelligibility and power.” Stefan Svärd, president of AVE, added, “Not only that, the low-frequency extension was simply missing. This was despite its big name components and the fact that it looked like a good system on paper. It simply didn’t translate to real-world performance.”

Svärd designed an elegantly simple new sound reinforcement system for Hosanna. An exploded mono cluster of two Danley SH-60s leverages Danley’s excellent pattern control to cover all of the seating without energizing the rest of the structure. Between them, also on the ceiling, is the Danley DBH-218 subwoofer. Svärd repurposed Lab.gruppen C-series amplifiers for the mains and added a Lab.gruppen FB14000 for the subwoofer. An existing Biamp Nexia and EV-DC1 processor condition the system, albeit less now than with the previous components, as the Danley boxes are naturally flat and transparent. A new Midas Pro 3 mixer gives Kotthoff and his techs control of the system for complex services, and a Crestron control system provides simple control of audio, video, lighting, and HVAC via iPad or iPhone. Finally, a new 8000lumen Digital Projection HD projector gives the congregation crisp imagery.

“I’ve had a lot of experience with loudspeakers from all sorts of manufacturers,” said Svärd. “To me, Danley’s unique designs offer the smoothest, most ‘studio-monitor-like’ performance in the sound reinforcement market. They have accurate phase response, great pattern control, and true hi-fi sound. The Danley DBH-218 subwoofer delivers a lot of clean output, and because it’s horn-loaded, it affords a degree of pattern control. For the youth services, they have that subwoofer shaking the whole building! Together, the whole system sounds phenomenal.”

Kotthoff agrees, “The Danleys sound great! Everything sounds crisp, clear, and clean. Nothing sounds harsh or painful. The intelligibility in the whole worship space is outstanding, everything from feeling the bass guitar rhythm to the clear natural sound of both singing and speaking voices. The DBH-218 subwoofer is awesome, every chance I get I love to crank the kick drum and feel the beat go right through me! I have received so many compliments, from ‘the audio is so clear’ and ‘now that’s an HD presentation’ to things like ‘I got bass in my butt!’ and ‘can you turn it louder?’ The system is amazing! It totally enhances Hosanna Lutheran’s strong music ministry in so many ways!!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Blue Hat Design Installs FUJINON HD Lenses at 12Stone Church in Atlanta

12Stone Church now bases video production at its four Atlanta campuses on FUJINON lenses

Wayne, N.J. – As one of the fastest growing churches in America, 12Stone Church recently opened a new Atlanta metro campus called Sugarloaf, which is equipped with a state-of-the-art HD video and audio production facility complete with Grass Valley LDX80 Premiere cameras and FUJINON HD lenses from the Optical Devices Division of FUJIFILM North America Corporation. The lens package includes: two FUJINON XA22X7 Studio Series box lenses on pedestal-mounted cameras, and two FUJINON ZA12X4.5 ENG lenses for handheld applications.

At these four locations, 12Stone—a Wesleyan evangelical Christian Church—offers 20 worship services weekly to over 30,000 attendees. The new 1,000-seat Sugarloaf worship center joins three other regional locations, including the Central campus (in Lawrenceville, GA) with its 2,600 seat-worship center, the Hamilton Mill campus with an 800-seat worship center and Flowery Branch with 500 seats. 12Stone also webcasts select services at its website.

“12Stone Church has been using FUJINON lenses for years at its Central campus, where the lenses have performed extremely well. The lenses produce exceptional picture quality, even in very low lighting conditions, and they’re backed by excellent customer service,” said David Roche, project manager for Technical Innovation’s Blue Hat Design, a systems integration firm specializing in audio/video installation and broadcast solutions for houses of worship (HOWs) headquartered in Norcross, GA. “So when it came time to choose HD lenses for the new Sugarloaf campus, we were very comfortable staying with FUJINON.”

In 2008, Blue Hat Design upgraded 12Stone Church’s Central campus with HD video production capabilities—including production control rooms, audio for video control rooms and edit suites—as part of a bigger facility renovation. The main campus also features a custom theatrical lighting grid, professional sound system, five Christie Digital HD20K projectors and large on-stage screens for image magnification.

In 2014, Blue Hat Design returned to install a fully equipped HD video production facility at the new Sugarloaf campus. In June 2014, Blue Hat Design won a 2014 Commercial Integrator BEST Award for Best House of Worship Project for its innovative design, which allows 12StoneChurch to share its HD video and audio production facility with the JohnC.MaxwellLeadershipCenter. The architecturally stunning Sugarloaf building—designed by Wakefield, Beasley & Associates—houses both 12Stone’s worship center as well as the MaxwellCenter, which provides training for pastors and motivational speakers.

Sugarloaf is unique in that it has a full television studio, equipped with its own lighting grid, LED lighting panels, 3G fiber camera interconnections, audio connections, three 16-foot tall cyc walls and seating for a 200-member audience. It also has two Grass Valley Karerra 2.5 ME switchers, several Yamaha audio mixing consoles with Dante networking, Christie projectors and top of the line video monitors and IMAG displays.

12Stone’s multi-campus design allows video production of the services—including musical performances, scriptures and sermons—to originate from any of the four locations. The video is then distributed via a dedicated video over fiber IP network matrix that connects all four locations, and stored on Grass Valley K2 Summit 3G or K2 Solo 3G Elite servers for local playback at each of the worship centers.

“Over the years, 12StoneChurch has had a very positive experience with FUJINON lenses and the outstanding service and support from our Fujifilm Sales Rep Susan Teuscher, who helped us greatly on this Sugarloaf project,” Roche said. “That’s why we like FUJINON lenses and plan to stay with this brand for our next 12StoneChurch renovation slated for 2015.”

This year marks FUJIFILM’s 80th anniversary, and 40 years for the Optical Devices Division, formerly known as FUJINON, in the U.S.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan brings continuous innovation and leading-edge products to a broad spectrum of industries, including: healthcare, with medical systems, pharmaceuticals and cosmetics; graphic systems; highly functional materials, such as flat panel display materials; optical devices, such as broadcast and cinema lenses; digital imaging; and document products. These are based on a vast portfolio of chemical, mechanical, optical, electronic, software and production technologies. In the year ended March 31, 2014, the company had global revenues of $23.7 billion, at an exchange rate of 103 yen to the dollar. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit: www.fujifilmholdings.com.

About Blue Hat Design
Technical Innovation’s Blue Hat Design delivers customer-focused broadcast solutions to the worship market, from systems integration services and emerging media technology, to equipment provisioning and broadcast consulting services. When it’s time to build, their clients come back time and again to “experience the difference” of their exclusive Jet Stream Total Program Management® approach. Blue Hat Design has added value within influential houses of worship like 12Stone Church, Passion City Church, Cross Pointe Church and Bellevue Baptist Church. With Blue Hat Design’s recent win of the 2014 Commercial Integrator Award for Best House of Worship Project, they are proud to say that their projects are noticed for their excellence. TI Blue Hat Design is dedicated to bringing that same level of expertise to each of their projects.

For more information about TI’s Blue Hat Design, visit: www.bluehatonline.com

AED Rent Turns Up Europe’s Volume with Revolutionary Sound from HARMAN’s JBL Professional VTX Loudspeakers and Crown Amplifiers

WILLEBROEK, Belgium – HARMAN’s JBL Professional and Crown amplifiers continue to be a rousing success in Europe, as Belgium-based AV rental system provider AED Rent delivers a new level of sound quality to festivals and tours across the continent with its inventory of JBL’s next-generation VTX line arrays and Crown I-Tech HD amps. From Turkey to the Netherlands, from heavy metal to hardcore house, AED Rent is harnessing the power of the revolutionary VTX Series to confirm itself as a market leader and total system provider throughout Europe. All systems have been/will be controlled, configured and monitored with JBL HiQnet Performance Manager™ providing a deliberately consistent user experience for the operator as they move from one system to another.

“The VTX Series is setting a new standard for concertgoers across Europe,” said Piet Verstraete, Sound Engineer/Account Manager for AED Rent, which signed on as the first adopter of JBL’s VTX V25 loudspeakers and as a Strategic Partner in the VTX Network in 2012. “We signed on as a Strategic Partner two years ago because we recognize revolutionary quality when we see and hear it. This summer it’s been very gratifying to enable the producers of the festivals and tours that have rented from us to expose thousands of fans across Europe to the experience that’s only possible with the quality of JBL and Crown.”

Events across Europe that have included VTX loudspeakers in the audio lineup include:

• Graspop Metal Meeting, known as the hardest festival in Belgium, took place in late June. In addition to sets by a range of acts that included Alice in Chains, Limp Bizkit and Soundgarden, the festival featured a Classic Rock Café and DJ sets. KO-sound delivered the audio through two columns of eight V25 loudspeakers that were supplemented by 16 S28 subs. Crown I-Tech 4x3500HD amplifiers featuring DriveCore™ technology powered the entire system.

• This year’s Rock@Field, Luxembourg Open Air festival, a 3-day/night music and camping extravaganza, blended local and global talent by including 10 local bands in a lineup that featured international acts such as Kings of Leon, Alice in Chains and Triggerfinger. To provide a quality of sound that matched the festival, EML/PRG Productions used two columns of 16 V25 loudspeakers supplemented by two columns of 12 S28 subs. Crown I-Tech 4x3500HD amplifiers featuring DriveCore powered the entire system.

• This year marks the 15th anniversary of the Reggae Sundance Festival, a 2-day reggae and camping gathering scheduled for the weekend of August 9–10 in Liempde, The Netherlands. The lineup includes acts such as Kabaka Pyramid, Dillinger & Trinity and Jesse Royal. To provide festival attendees with the best sound experience possible, KO-sound will provide two columns of 12 V25 loudspeakers supplemented by two columns of 12 S28 subs. Crown I-Tech 4x3500HD amplifiers featuring DriveCore will power the V25 loudspeakers, while I-Tech 12000HD amplifiers will power the S28 subs.

• At the end of June, football and music came together at Dance with the Devils, held at Sportpaleis in Antwerp, where Belgian fans cheered their teams and enjoyed music provided by a lineup of live artists and DJs. EML/PRG Productions managed the sound for the facility, installing a configuration that consisted of two columns of 16 V25 loudspeakers supplemented by two columns of 12 S28 subs. Crown I-Tech 4x3500HD amplifiers powered the V25 loudspeakers, while I-Tech 12000HD amplifiers powered the S28 subs.

• In mid-July, Metallica performed to an enthusiastic and energetic audience at the Istanbul Technical University (ITU) Stadium in Istanbul, Turkey. In addition to its own inventory, Altincizme Elektronik supplemented the sound with 16 S28 subs from AED Rent. Crown I-Tech 12000HD amplifiers powered the entire system.

• Part of July’s Robin Rotterdam Unlimited, this year’s Crazy Sexy Cool festival was equipped for sound by A Events, which chose two columns of 12 V25 loudspeakers and two columns of 12 S28 subs. Crown I-Tech 4x3500HD amplifiers powered the V25 loudspeakers, while I-Tech 12000HD amplifiers powered the S28 subs.

• In early August, the Loveland Festival comes to Sloterpark in Amsterdam with a lineup that includes Adam Beyer, Maceo Plex, Sasha, Arjuna Schiks and Oliver Koletzki. To supplement its own system, EML/PRG Productions Holland is equipping each stage with 24 S28 subs. Crown I-Tech 4x3500HD amplifiers powered the entire system.

• Launched in 1985, Pukkelpop began as a small, local music event organized by Leopoldsburg’s “Young Humanists” near the city of Hasselt, Belgium. Today, with its three days of musical acts chosen from the alternative fringe, Pukkelpop is considered one of Europe’s greatest musical gatherings. For the mid-August event, EML/PRG Productions selected 60 S28 subs for the Boilerroom stage and 26 S28 subs for the Marquee stage. Crown I-Tech 12000HD amplifiers powered the entire system.

• Nightmare 2.0 isn’t about bad dreams: It’s a festival of “hardcore” DJs held in Rotterdam at the end of June. With a lineup representing the unique sounds from an impressive number of cities and regions worldwide, sound quality is everything for this event’s audience. To deliver on those expectations, First Love Sound & Light Concepts selected 40 V25 loudspeakers and 32 S28 subs for use across the event’s multiple stages. Crown I-Tech 4x3500HD amplifiers powered the V25 loudspeakers, while I-Tech 12000HD amplifiers powered the S28 subs.

For more information on AED Rent, please visit www.aedrent.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Richard Bevan Promoted to Senior Vice President/General Manager of WorldStage West

WorldStage is pleased to announce that Richard Bevan has been promoted from Vice President of Production Services to Senior Vice President/General Manager of WorldStage West, located in Tustin, California. He will be reporting to WorldStage President Josh Weisberg.

“Richard has been a key member of the management team for many years, and I’m delighted to announce his new role and responsibilities at our West Coast operation,” says Weisberg. “This is a very natural progression as his role and influence within the organization has grown continually over the past years, supported by his deep knowledge or our industry and his terrific work ethic.”

Bevan says, “I’m honored by the trust that Gary Standard, (CEO) and Josh Weisberg, (President) have shown in me. It’s my goal to ensure that the quality of work we do remains at an all-time high as we continue to continue to grow the business in new and exciting ways.”

In addition to his general management duties, Bevan plans to continue to manage key accounts at WorldStage West, including projects for such end clients as the Milken Institute Global Conference, Adobe, Oracle, Nissan, Infiniti, VMware and Cisco.

“The West coast office is experiencing substantial growth,” Bevan says. “With the economy continuing to pick up steam and the event business hitting on all cylinders, we’re seeing significant new business adding to our roster of repeat business.”

Bevan joined Video Applications Inc., which merged with Scharff Weisberg Inc. to form WorldStage, in 1996 when the company launched its audio division. He came on board as a Senior Audio Engineer and witnessed the rapid growth of that division. “We grew from supplying audio services to about 20 percent of our shows to 80-90 percent of our shows over a four-year period,” he notes.

Bevan assumed the post of Director of Operations while still playing a leading role in the audio division. Later, he took over engineering administration and in 2011 moved into account management with the position of Vice President of Production Services.

Born and raised in Newton, Kansas, Bevan began his career as a touring audio engineer with A1 Audio in Hollywood, California. He was front of house audio engineer for Tony Orlando & Dawn at the age of 20 and several years later became audio engineer for the legendary Johnny Mathis, a post he held for eight years.

WorldStage Inc., the company created by the merger of Scharff Weisberg Inc and Video Applications Inc, continues a thirty-year legacy of providing clients the widest variety of entertainment technology coupled with conscientious and imaginative engineering services. WorldStage provides audio, video and lighting equipment and services to the event, theatrical, broadcast and brand experience markets nationally and internationally.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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