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Press Releases For : August 22, 2014

Chris Fetner, Mark Aitken, and Darcy Antonellis to Keynote at SMPTE 2014 Annual Technical Conference & Exhibition

Industry Leaders Will Share Insights and Expertise at SMPTE 2014 Conference Opening and During Industry Luncheon and SMPTE Fellows Luncheon

WHITE PLAINS, N.Y. — Aug. 19, 2014 — The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today revealed the three keynote speakers for the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014), Oct. 21-23 at the Loews Hollywood Hotel in Hollywood, California.

Chris Fetner, director of global content partners operations at Netflix, will present the opening keynote. Later in the day, ticketholders for the SMPTE Industry Luncheon will have the opportunity to hear a keynote presentation by Mark Aitken, vice president of advanced technology at Sinclair Broadcast Group. On Wednesday, Vubiquity CEO Darcy Antonellis will address SMPTE Fellows, including those newly inducted for 2014, at the SMPTE Fellows Luncheon.

“The keynotes presented by Chris, Mark, and Darcy will punctuate a strong conference program that advances the industry through shared knowledge and experience,” said Wendy Aylsworth, SMPTE president and senior vice president of technology at Warner Bros. Technical Operations. “The real-world experiences of these industry leaders in leveraging advanced media delivery technologies will serve both to complement and enrich the diverse array of SMPTE 2014 technical sessions.”

Fetner, a SMPTE member, began his career as an operations manager at a local Public Broadcasting Systems (PBS) affiliate in Washington, D.C., and went on to serve as a producer for television programs including the award-winning show “Frontiers of Medicine.” He later served as a postproduction and operations executive at Discovery Communications, guiding the company’s migration to an all-digital workflow, and as vice president of postproduction and technical services at the British Broadcasting Corp. (BBC) Worldwide in New York, where he oversaw all technical operations supporting both the cable network BBC America and its distribution to electronic sell-through (EST), video-on-demand (VOD), and subscription video-on-demand (SVOD) customers. At Netflix he and his team deploy tools, processes, and knowledge that allow content owners and service vendors to deliver high-quality content to Netflix simply and with efficiency.

In addition to representing Sinclair Broadcast interests in industry technical and standards issues, Aitken is chairman of the Advanced Television System Committee (ATSC) TSG/S4 codec working group and a member of both the Mobile 500 Alliance executive committee and National Association of Broadcasters (NAB) TV Technology Committee. Since 1987, he also has been involved in the Federal Communications Committee (FCC) Advisory Committee on Advanced Television Services. Prior to joining Sinclair, Aitken held various positions with Comark Communications, where he was part of the Emmy(R) Award-winning team that brought Internet of Things (IoT) technology to the marketplace. He is currently a member of the Association of Federal Communications Consulting Engineers, the IEEE, and SMPTE. He has authored numerous papers on innovative radio-frequency (RF) product developments, advanced digital television system design, and related implementation strategies, and holds patents for various RF devices. Aitken is a recipient of the 2008 Broadcasting and Cable Technology Leadership Award and the 2013 ATSC Bernard J. Lechner Outstanding Contributor Award.

Prior to becoming CEO at Vubiquity, Antonellis served as president of technical operations and CTO at Warner Bros. Entertainment Inc., where she directed technology strategy and the company’s use of media and entertainment-related product and service innovations to drive growth and business opportunity. Earlier, during her tenure at CBS, she held lead management roles with responsibility for the network’s New York and Washington, D.C., operations. Antonellis is a three-time Emmy Award-winner for technical production and engineering. She serves on numerous advisory boards and has been named on the Video Business “Women Elite” and The Hollywood Reporter’s Digital Power 50 List. She has also earned Broadcasting and Cable’s Technology Leadership Award and India’s NASSCOM Innovator Leader Award, and was presented with the inaugural NAB TVNewsCheck Women in Technology Leadership Award. Antonellis is a SMPTE Fellow.

Further information about SMPTE 2014 is available at www.smpte2014.org.

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About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance(R) (HPA(R)), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

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Press Releases For : August 21, 2014

Wohler Expands Reseller Agreement With Brazil’s CIS Group to Include File-Based Product Family

Wohler’s File-Based Line Will Help Increase Efficiency and Profitability for Latin American Media Companies

SAN FRANCISCO — Aug. 19, 2014 – Wohler Technologies today announced that CIS Group, already a part of a select global network of value-added resellers for Wohler’s baseband and stream-based product lines, will now represent Wohler’s line of file-based products, as well. Key among them is Cinnafilm(R) Tachyon(R) Wormhole(TM), an automated file-based retiming solution based on Wohler’s RadiantGrid Intelligent Media Transformation Platform(TM). CIS Group will resell Tachyon Wormhole and Wohler’s other file-based appliances in Brazil and select Latin American regions, where media companies are looking for ways to trim costs and monetize their content.

“We see great potential for both RadiantGrid and Tachyon Wormhole in the Brazilian market because it’s a technology that will help both large networks and regional stations increase revenue potential,” said Guilherme Silva, CEO and president of CIS Group. “CIS Group has been a leader for many years in bringing IT-based solutions to Brazilian media companies. Tachyon Wormhole fits this long tradition and will allow us to offer new ways of meeting our customers’ needs.”

Wohler serves as the exclusive master distributor for Tachyon Wormhole, which is based on the RadiantGrid platform and enables up to a ±10 percent runtime adjustment while preserving not only video and audio quality, but also closed caption integrity. Wohler offers the product directly and through select resellers. Wohler’s other file-based products include the RadiantGrid Media Transformation Platform and WohlerLoudness loudness-correction software.

“CIS has an extensive customer base within the Brazilian market and a deep understanding of marketing, selling, and supporting cutting-edge solutions such as Wohler’s file-based product lines,” said Craig Newbury, vice president of sales at Wohler. “That combination gives us access to the growing Brazilian market through a partnership with a true value-added reseller.”

More information about Wohler and its products is available at www.wohler.com.

# # #

About CIS Group
CIS Group designs, engineers, and installs integrated solutions for broadcast facilities, sports venues, corporations, live/post production studios, educational institutions, and houses of worship. The company focuses on digital technology and new media projects for the creation, management, and distribution of film, video, audio, and data. With more than 26 years of experience in the broadcast and post production industry, CIS Group is uniquely suited as a technology integration partner.

Established in 1988, CIS Group delivers turnkey systems that combine proven broadcast, IT, and storage technologies to enable full digital workflows. Headquartered in Davie, Florida, CIS has field operations offices in Brazil and Portugal.

About Wohler Technologies Inc.
Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Visit Wohler Technologies at SET EXPO 2014, Exhibiting With CIS Group in Stands C09 and D10

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Photo Caption: CIS Logo

Digigram to Introduce New Low-Latency, High-Density LX-MADI PCIe Sound Card at IBC2014

LX-MADI PCIe Sound Card Offers 64/64 MADI I/O, Latency Down to 3 ms, and High Stability in Audio Production and Broadcast Automation Applications

MONTBONNOT, France — Aug. 19, 2014 – Digigram today announced that it will showcase the new LX-MADI PCI Express(R) (PCIe(R)) sound card, the latest addition to company’s unparalleled range of sound cards engineered for broadcast applications, at IBC2014. Digigram designed this card to provide radio and television broadcasters with low-latency performance and reliable multichannel synchronous audio PC connectivity in high-density audio production and automation applications.

“With the new LX-MADI PCIe card, users can establish a high permanence-of-service bridge between the PC-based content management world of digital audio workstations and automation systems and the legacy synchronous audio world based on AES10 standard Multichannel Audio Digital Interface (MADI),” said Pascal Malgouyard, head of product marketing at Digigram. “This approach simplifies the systems required to support key broadcast processes while ensuring the continued quality and reliability of audio signals.”

Equipped with an optical MADI interface, Digigram’s new LX-MADI PCIe sound card supports a 64/64 I/O channel count with low roundtrip latency down to 3 milliseconds. An embedded 64×64 matrix gives users routing and direct monitoring capabilities, along with record and play functions. Because the LX-MADI PCIe sound card is a hardware solution, it offers high stability regardless of the computational load presented by other applications running on the host system, such as editing, processing, ingest, and playout.

The new Digigram LX-MADI PCIe sound card will be shipping by the end of 2014. In the meantime, it will be available for demonstrations on the Digigram IBC2014 stand (8.C51).

Further information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

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About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

All trademarks appearing herein are the property of their respective owners.

Please Visit Digigram at IBC2014, Stand 8.C51

Photo Link: www.wallstcom.com/Digigram/Digigram-LX_MADI.jpg
Photo Caption: LX-MADI PCIe(R) Sound Card

Forbidden to Present Two Sessions at IBC Content Everywhere Conference During IBC2014

LONDON — Aug. 19, 2014 – Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today that they will moderate two sessions at IBC’s inaugural Content Everywhere Europe conference colocated with IBC2014 in Amsterdam. For each session, one in each of the Workflow and Cloud Solutions Theatres, Forbidden will introduce key clients who will discuss how they leverage Forscene in their unique production and post-production workflows.

The IBC Content Everywhere Cloud Solutions area, located in Hall 3, hosts presentations and case studies on Cloud Technology and products. These free-to-attend master class sessions will explore the latest cloud solutions. In the session titled “Camera-to-Cloud — Cut Out the Delay Between Shoot and Post,” Maverick TV’s Donna Mulvey-Jones will explain how the cloud is used to cut out the delay between shoot and edit and provide better collaboration between production crews in the field and post-production teams back at base. To illustrate the point, Mulvey-Jones will describe Maverick TV’s use of the Forscene cloud-editing platform integrated with Sony’s CBK-WA100 wireless adapter — a combination that allows wireless transmission of content directly from the camera to Forscene. The session will be held Sunday, Sept. 14, from 2 p.m. to 2:25 p.m. in Hall 3 of the RAI. More information about the Cloud Solutions sessions can be found at www.ibc.org/page.cfm/link=861.

The IBC Content Everywhere Workflow Solutions area, located in Hall 9, will showcase the financial and production benefits of the disruptive technologies of file-based production workflows. In the session titled “Expanding the Use of Cloud to Create More Efficient File-Based Workflows,” Paul Wilkes, technical director for Halo Post and Portland Post, will talk about a revolutionary new workflow that synchronises post-production and archiving for BBC factual content in the Forscene cloud. The hour-long session will begin Monday, Sept. 15, at 12:30 p.m. in Hall 9. More information about Workflow Solutions can be found at www.ibc.org/page.cfm/link=910.

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden can be found at www.forbidden.co.uk.

# # #

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Visit Forbidden at IBC2014, Stand 8.B38e

Photo Link: www.wallstcom.com/Forbidden/Forbidden-SonyWirelessAdapter.jpg
Photo Caption: Sony’s CBK-WA100 Wireless Adapter

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RTI Announces Integration With Converging Systems’ LED Lighting Systems

New Two-Way Driver Provides Robust Adjustment and Control for up to 254 LED Devices

SHAKOPEE, Minn. — Aug. 20, 2014 — Remote Technologies Incorporated (RTI) today announced the release of a new two-way driver that allows users to control LED systems from Converging Systems’ portfolio of lighting solutions via an RTI control system. Available now, the driver makes it extremely easy for integrators to implement LED lighting in settings such as restaurants, bars, and home theaters. (more…)

Zylight F8 LED Fresnel Delivers Reliable Performance, ROI for Lightworks.TV

LOS ANGELES – Through his London-based company, Lightworks.TV Ltd., lighting cameraman Scott Munro shoots and edits a variety of projects, from U.S. network news packages to corporate videos and documentaries. While he does not own a professional HD camcorder, he has invested in an extensive collection of production accessories and lighting instruments, including the Zylight F8 LED Fresnel.

“It’s hard to keep up with camera technology,” he explained, “but you can own lights these days and make them work for all sorts of projects. If you buy good products, like the Zylight F8, you’re going to get a good return on your investment. Good lighting never goes out of fashion.”

Munro appreciates that battery-powered LED lights allow cameramen to bring lights to locations where HMI lights are not an option. That said, he has not converted his entire lighting arsenal to LED, because most instruments he has tested only deliver soft light. The Zylight F8 LED Fresnel was a notable exception, which is why he purchased one in late 2013 and has used it for a variety of projects this year.

“There is a need for hard lighting sometimes,” Munro said. “LED is an evolving market. There have been improvements, and I think Zylight is one of those big improvements.”

Through its eight-inch SCHOTT glass lens, the F8 maintains single shadow traditional beam shaping, while its patented focusing system allows spot and flood operations. The fully dimmable F8 has a high CRI (color rendering index) and offers an adjustable beam spread (16-70 degrees). Its LED engine with quantum dot technology draws only 100 watts, but delivers close to the light output of a traditional 1000-watt Fresnel.

With such varied shooting assignments, the daylight (5600K) balanced F8 was the “obvious choice” instead of tungsten (3200K) for Munro, because he needed the higher output for outdoor shots. Inside or out, he uses barn doors with a soft box and honeycomb grid to shape the F8’s output. “You can always make a big light smaller,” he noted, “but you can’t make a small light bigger.”

Munro praised the F8’s build quality and compact storage, both important factors for shooting on location. The F8 proved its worth during a recent shoot at the Farnborough International Airshow outside of London in July. Munro only had a short window of time, and external power for HMI lights was not an option. He powered his Zylight with an IDX battery and got the shots his client needed.
“Working quickly and efficiently is a great way to please a client – and bring them back,” Munro said. “I feel the Zylight is an efficient light. It’s just great. It’s focusable, controllable, affordable and incredibly reliable.”

ABOUT ZYLIGHT LLC
Founded in 2003, Zylight LLC is the leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Every model in its easy-to-use lighting system produces fully calibrated bright white light, while some also provide a spectrum of adjustable colors without gels. Full wireless control and DMX integration are included, and AC or DC power options are available. The Zylight state-of-the-art LED system is truly the most unique and flexible lighting system on the market today. With more than 50 dealers worldwide, Zylight continues to develop innovative LED lighting solutions to help make your job easier. More Than Bright – Zylight. Find out more at www.zylight.com.

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ADDERLink Infinity in the Spotlight at IBC

New York, August 21, 2014: Adder Technology, the high performance keyboard, video and mouse (KVM) specialist, will be launching the latest version and firmware of its ADDERLink Infinity solution at IBC 2014.

The ADDERLink Infinity range enables operators and computing resources to be separated by almost any distance, with no loss in capabilities and no reduction in video resolution or quality. The latest firmware upgrade brings further benefit to users with faster switching, presentation switching, security enhancements and a guaranteed 60 frames per second, full frame video performance.

Adder will also be showcasing three new high performance products, including the IP-based ADDERLink Infinity 1002 which adds an additional fiber module that offers dual network redundancy and performance to the single head range. The presence of the additional fiber port ensures that signals can be extended over significant distances.

“We will also be displaying the new Adder CCS-Pro4, a professional KM switch for the use and control of multiple systems and screens on a single desk, from a single mouse and keyboard,” says John Halksworth, senior product manager, Adder Technology. “The switch includes Free-Flow technology and allows users to seamlessly switch between multiple computers alongside an intuitive web interface.”

The Adder CCS-Pro4 is ideal for use in the broadcast and post production environments, as is the ADDERLink X-DVI Pro DL, also on show at IBC. This dual link, point to point DVI extender features plug and play functionality incorporating full dual link resolution capability up to 2560×1600. It can transmit a dual link video stream along with audio over a single CATx cable, up to 50 meters.

“In keeping with emerging trends in the broadcast industry, we will also be demonstrating our 4K capabilities in this arena with the ADDERLink XD522 DisplayPort extender,” says Halksworth.

The Adder solutions will be available on stand 7.C30 and will demonstrate the many advantages IP-based high performance KVM brings to the broadcast and post production workflow.

Visit Adder Technology at stand 7.C30 at IBC 2014 in Amsterdam from 12 September.

 

About Adder Technology

Adder Technology is a leading developer and thought leader in connectivity solutions. Adder’s media networks, extenders and keyboard, video and mouse switch solutions enable the control and distribution of IT systems around the world. The company distributes its products in more than 60 countries through a network of distributors, resellers and OEMs. Adder has offices in the United States, United Kingdom, Germany, the Netherlands, Spain, Sweden, China and Singapore.

Adder’s user base ranges across markets such as Retail, Financial, Industrial, Medical, Broadcast, Air Traffic Control, Digital Signage, Military and Server Management. Adder manufactures products under its own brand as well as for a number of OEM customers and its products are marketed and supported by a global network of resellers and distributors.

###

Media Contact for Adder Technology
Tricia Hawkins
Bob Gold & Associates
+1-310-320-2010
tricia@bobgoldpr.com

 

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HARMAN’S AKG WMS4500 Wireless Microphone System and D7 Ltd Mic Keep Up With Carlos Elizalde’s Every Move

SAN RAMON, California — No one could ever accuse percussionist/singer/songwriter Carlos Elizalde of standing still. To call him an energetic performer would be an understatement – when performing with Ruckatán, the Latin, reggae and world music band he founded, Elizalde combines singing and high-energy percussion playing with nonstop dancing and energy. He needs gear that can keep up with him – which is why he relies on HARMAN’s AKG WMS4500 wireless microphone system with a D7 reference dynamic vocal microphone, plus the AKG IVM4500 in-ear monitor set and a D7 microphone for percussion.

“I need a wireless mic that can follow my every move. I constantly dance, jump all over the stage and perform hand percussion – all at the same time. I’ve found the AKG WMS4500 and D7 to be totally reliable and I do more than 80 shows a year.”

Elizalde and Ruckatán are at North Hollywood’s Mayflower Club on Saturday, August 23, and are also headlining the Stone Soup Music Festival in Grover, California, where the sounds of Latin, African, Australian, Scottish, jazz, country and other musical styles will be enjoyed by everyone—and where to Elizalde’s delight, dancing in the streets was encouraged!

Elizalde first heard the WMS4500 and D7 in the recording studio, where he was impressed by their warm, yet detailed, sound. “The D7 is so reliable and easy to operate, since I can just plug it in and start the show,” he said.

For more information on Ruckatán, please visit www.ruckatan.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

IC Realtime Launches Open Platform 720-Degree Surveillance Camera Software

Presently available as a free App at iTunes.com, this special hardware-agnostic software enhances the user-experience of any 180- and 360-degree analog, IP or Megapixel surveillance camera by completely immersing the viewer into the center of the action

Pompano Beach, FL – August 21, 2014 – IC Realtime (CEDIA Expo 2014 Booth #776), a global innovator of Internet of Things enabled video technology solutions, has just released the first version its IC720 surveillance camera software. A key element of the company’s upcoming 720-degree camera line, the software also dramatically improves the user-viewing experience of its 180- and 360-degree surveillance cameras (all analog, IP and mega-pixel models), as well as those of other brands. Available as a free App at iTunes.com, IC720 is presently compatible with iPad – with versions for iPhone, Android and a variety of mobile devices, tablets and laptops, on the way.

IC Realtime CEO Matt Sailor

”The IC720 software creates a panoramic, 3D-like experience that completely captivates viewers by putting them in the center of the action, far surpassing anything available in video surveillance monitoring to date,” says IC Realtime CEO Matt Sailor. “This game-changing technology is reinventing the way we think about and approach video and software solutions that can be deployed across almost all hardware applications.”

According to Sailor, an added beauty of IC720 is that it’s built in a modular format, making it device-agnostic, therefore capable of integrating with all video surveillance cameras on the market today.

“If the software doesn’t already work with the manufacturer’s application, just provide us your RTSP video stream path, and we’ll make it work,” says Sailor, addressing both surveillance camera manufacturers and security system installation companies. “The functionality of the application is second nature, and the potential of the application itself is limitless.”

Road Tested
The software was tested in the most extreme condition that IC Realtime could find – automobile racing. The company worked closely with Scuderia Corsa race team to outfit their Ferrari 458 Italia No. 63 — a vehicle that is currently competing on the US circuit and won the Grand-Am GT championship last year — with its new 720-degree video camera and software. Streaming live high-definition video to mobile devices — and uncompromised at speeds in excess of 100 MPH — the camera is used during practice laps and is planned to eventually be used during racing as well.

The IC720 hardware and software technology incorporates 15 unique aspects that the company has applied/received patent protection on.

Different versions of the camera with interchangeable lenses and sensors are currently in development. The first is slated to hit the market beginning September 2014.

To view demos of IC720 visit: http://ic720.com/demos/

For more background on the IC720 camera visit: http://ic720.com/

About IC Realtime
Established in 2006, IC Realtime is a global innovator of Internet of Things enabled video technology solutions for the residential, commercial, government and military channels. The Company markets its products through a network of more than 5,000 custom integrators, retail outlets and distributors globally. IC Realtime has pioneered the introduction of the Cloud VIRTUAL Recorder™; 720-degree video surveillance camera technology, and proprietary cloud-based software that enables proactive monitoring. In the 2012 – 2014 CEPro Magazine CE Pro 100 Brand Analysis, IC Realtime ranked as #1 IP camera / surveillance brand. IC Realtime was also awarded the 2014 GOVIES Award by Security Products Magazine, which recognized the Company’s 720-degree camera as an outstanding achievement in government security products. Follow IC Realtime on Twitter: @ICRealtime, on Facebook at https://www.facebook.com/icrealtimeus and online at www.icrealtime.com.

About Scuderia Corsa
The 2013 Grand-AM Rolex GT championship-winning team Scuderia Corsa was founded in 2011 by Giacomo Mattioli and Art Zafiropoulo. The team was created for the sole purpose of supporting the racing needs of Ferrari clients and includes turnkey programs, GT endurance racing, the North American Ferrari Challenge Series and track events. Giacomo Mattioli is the owner of Ferrari Maserati Beverly Hills and South Bay and partner in Ferrari Maserati Silicon Valley with Art Zafiropoulo. Follow Scuderia Corsa on Twitter @Scuderia_Corsa, on Facebook at Scuderia Corsa, Instagram at #Scuderiacorsaferrari and ScuderiaCorsa.com

France’s Biggest Summer Festival Produced Live with Blackmagic Design

Blackmagic Design today announced that a full ATEM live production workflow was used during the French music festival Vieilles Charrues to support on stage performances from internationally renowned artists such as the Arctic Monkeys, Lily Allen, Elton John and The Black Keys.

Live production specialist Sombrero & Co, who managed all aspect of video production across the festival’s two main stages, used a centralized production hub featuring multiple ATEM 2 M/E Production Studio 4Ks and a Compact Videohub router for signal distribution.

Camera feeds from both stages are taken via optical fiber to ATEM Studio Converters, where they are converted to SDI and fed into the production switchers, via the 40×40 router. The ATEM Studio Converter also provides full talkback and tally, so the director and vision mixer can talk directly to the camera operators on both stages and collaborate to manage the live production of content.

“Video production at major festivals such as Vieilles Charrues is a difficult balance, because as well as capturing all of the individual bands’ performances, the festivals themselves have their own style and spirit, so you have to be able to produce content that is in keeping with that, as well as ensuring the hundreds of thousands in the crowd all have a fantastic experience,” explains Julien Brunet, Sombrero & Co.

The live program mix of performances and wide angle crowd shots, as well as commercials and sponsor messages during performance breaks, is then fed back to the router and is screened on two large scale LED screens at the side of each stage.

“When devising the workflow for the control room, we decided on a dual switcher workflow because it gave us more flexibility,” explains Brunet. “Many of the larger international acts will come with their own creative directors, who want to check the footage matches their wider vision for the artists. The additional inputs and Multi View monitoring features offered by the ATEM 2 M/E Production Studio 4K gives us the flexibility to do that, as well as providing video content for the big screens to keep the crowd entertained.”

“We know that we can trust equipment from Blackmagic Design to not only withstand the rigors and demands of an outdoor festival environment, but also to provide us with the professional broadcast quality features that make it possible for us to produce compelling content that enhance the spirit of a festival,” concludes Brunet. “The production hub was designed to be collaborative so that our camera operators, the festival director, live artists and technicians can all understand what we are trying to achieve on every single performance, and the Blackmagic Design workflow enables us to achieve that perfectly.”

Press Photography

Product photos of Blackmagic Design Compact Videohub, ATEM 2 M/E Production Studio 4K, ATEM Studio Converter, HyperDeck Studio Pro, are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, United Kingdom, Japan, Singapore, and Australia. For more information, please check www.blackmagicdesign.com.

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