Contemporary Research brings a new addition to the successful QMOD lineup–a purpose-built Combiner (shipping shortly) that joins the QMOD HD and QMOD SDI modulators and the QMOD HDSC scaler. I like the way this product line takes advantage of a market development–built in digital tuners–to give ProAv some amount of freedom from the tyranny of cable companies. These products give any facility with one or more TVs a way to create and mix channels and sources and effectively make their own cable system. It can include cable TV channels (or not) and a host of other sources transformed into a channel lineup, without a box at every TV of course.
Archive of the InfoComm News Category
New System Provides Advanced Capabilities for Highly Demanding Productions
ORLANDO, FL ? Clear-Com, a global leader in critical voice communications systems, will feature the new HME DX210 at this year’s InfoComm 2011 (Booth 349). The HME DX210 is a user-friendly system that offers superior wireless intercom performance and system compatibility with wired intercom systems, making it ideal for live performance, theater or permanent installations. Operating in the 2.4GHz band, the DX210 delivers exceptional sound clarity and enables interference-free communication for highly demanding productions. Read on at The Wire
This was probably the biggest Infocomm’s in recent memory for Middle Atlantic. Last week, legrand completed acquisition of the company–MA brought it’s biggest product launch ever with the new BGR rack. Our exclusive interview with Bob Schluter on his design process is here My pictures don’t capture much, but you get the idea of the curved doors, the vertical mounting space and the patent-pending Lever Lock.
Almo celebrated two anniversaries with a booth party today #IC4545–the two-year anniversary of Almo Professional AV and the 65-year anniversary of parent company Almo Corporation. Almo president/COO Warren Chaiken (left) and Almo Professional AV president/COO Sam Taylor (right) paid tribute to their teams and partners and to both the distant and recent history of Almo. Throughout Infocomm, Almo conducts a daily drawing of for a piece of 1946 memorabilia, including an autographed baseball from 1946 major league MVP Ted Williams, an “It’s a Wonderful Life” Jimmy Stewart autographed photo, and an autographed photo of 1946 PGA champion Ben Hogan. The grand prize is a B.B. King autographed guitar.
Here’s the video.
At the Azden booth, Wayne Alonzo was showing off the MX-62 mixer and as an audio guy from way back, I was delighted with it. While it may put me firmly in the old school, I love the twin ballistic VU meters. They just keep right on working. Shipping in about a month at $850, the unit features six balanced mic/line inputs in a rack mountable frame. On the front panel each input has a peak LED indicator, pan control, switchable phantom power, high pass filter and a limiter. Two aux inputs are available, each with RCA connectors. The MX-60 is also rack mountable and offers six ¼ inch mic inputs along with three RCA line level inputs. I love mixers like this that take just the right features and put them exactly where real operators would want them. These models weren’t drawn up by guys in lab coats. They obviously were designed by experienced users. Also on display were Azden’s conferencing systems including IR linked receivers and body-pack emitters. The sensors connect with RG-59 coax and rely on both direct and reflected IR to allow better mobility for instructors.
Will Bakewell sat us down and delivered a very direct and informative message about how his company Visionary Solutions provides a laser focused approach to IPTV. They concentrate on the encoding hardware and partner with a number of other firms to build the whole system solution. They’re able to do this by using well proven formats and not going out on an exotic limb with proprietary protocols. H264 streams allow them to concentrate on building and deploying reliable hardware and in today’s market it’s a solid tactic. The talk we had was great and it really is amazing to see how the various players have reacted to the new market conditions in their own ways. IPTV for schools, industry, hotels and webcasting is a growing business and with over 4000 encoders installed worldwide, Visionary Solutions has made a solid foothold.
Christie really put together a show in itself in the design of its multi-story booth with 2D models on one side, a 3D demo area on the other side and upstairs they were showing curved screen edge blending that can be calibrated easily. If one projector gets bumped into the wrong alignment, a quick click can have it reset for perfect edge blending again in seconds. I was impressed with the massive machines and their easy command. The 3D demos seemed to draw the biggest crowd and there were visible and audible reactions as the demo videos got to the places where the 3D effects really jumped out. At least no one got dizzy and fell over but I did see a few swaying as the video loop got to the good parts. It seems that 3D is still in the “prove it to me” stage but the Christie demo apparently got some positive attention and won over some converts as I watched the action there. The setup of their booth was a marvel in itself with just under a week to get it all built and everything up and working. I learned that it wasn’t tested all-up anywhere until it was in place at the show so that was really hanging it over the edge!
Rane’s big gun in the show is the Halogen expandable DSP platform and when it was demonstrated, I could see what all the notoriety was about. Aimed at the hotel and convention center market the Halogen system integrates a number of control units into one combined sound control and distribution system on CAT5 and uses a software application to configure it. Also on display was the new CP66 that controls up to six independent and linkable zones of sound. It has one gated priority input for paging and offers a control solution for a more localized setup. This unit was the perfect balance product for the Halogen system and with the two of them, Rane appears to have all its bases covered for zone sound control on very large and more local layouts. Halogen and the CP66 seem to be a good solution for areas that are physically reconfigurable such as multipurpose rooms and facilities that have large rooms with movable partitions. The system can be preset to allow control as one large space or a number of smaller ones.
Representing a company with double-digit growth, John Sexton showed off Ashly Audio’s new line of networkable remote control devices and this impressed me as being the right type of product at the right time. With staffing shrunk to almost nothing in most places, the Ashly RD-8C and RW-8C remotes allow sound control from a remote location and allow just about anyone to figure out how it works right away. Red, yellow and green color coding on the light for each sound channel lets operators know exactly when they’ve gone too far on the volume level. Anyone who can decipher a stop light can use it. Also on display was the PEMA (Protea Equipped Media Amplifier) that combines open-architecture DSP functionality with Ashly’s dependable amps. The wall mounted remote control modules attracted quite a bit of attention with ease of installation in a standard wall box as one of the big drawing points. John kept pretty busy with interested new prospects so I left him to the crowd and continued exploring the new remote control modules on my own. They were connected so that I could try them out and this really added to the “I want this gizmo” feeling.
Jeff Touzeau had so much to show me at the Sennheiser booth, it was a toss-up as to where we should start. He demonstrated the MK4 studio cardioid condenser microphone and it was impressive, especially when he let me know that the price put it well within reach of the mass market for top quality recording mics. With a frequency response of 20-20kHz and a 130dB dynamic range, the MK4 really brings top features to those who could not afford it before. What got a lot of attention at the booth was the demo of the KZ10 speakers. These tiny wall mount units are about the size of a candy bar and put out an amazing sound. Intended for installations where the speakers must be virtually invisible, the KZ10 speakers hide in plain sight. I had to look closely at the place Jeff was pointing to before I actually noticed them. Perfect for background sound in clubs and restaurants, the KZ10 really made a big impression; that is, once it was seen. Another star was the KR-400 speaker system featuring LEDs in the front that can only be seen from positions within the sound field of the speaker. It’s almost like being able to see the sound pattern itself. The KR-400 was the topic of discussion in the Sennheiser demo room across the hall and it actually got some applause when the sound cuts were put through it.